{"id":291,"date":"2017-10-15T22:24:13","date_gmt":"2017-10-15T22:24:13","guid":{"rendered":"http:\/\/www.nghi.it\/w\/it\/?page_id=291"},"modified":"2025-04-15T12:22:54","modified_gmt":"2025-04-15T12:22:54","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/www.bertozziecasoni.it\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<p>[vc_row columns_on_tablet=&#8221;keep&#8221; padding_top=&#8221;10&#8243; padding_bottom=&#8221;40&#8243;][vc_column h_text_align=&#8221;left&#8221; h_text_align_mobile=&#8221;left-on-mobile&#8221; v_align=&#8221;v-align-middle&#8221; use_background=&#8221;&#8221; width=&#8221;1\/1&#8243;][tm_accordion_holder accordion_style=&#8221;line&#8221; accordion_size=&#8221;xlarge&#8221; use_icon=&#8221;&#8221; header_text_color_active=&#8221;#ff4556&#8243; accordion_id=&#8221;5dd81dbf-2874-9&#8243;][tm_accordion_tab_item textarea_html_bkg_color=&#8221;#ffffff&#8221; title=&#8221;MOST SIGNIFICANT CRITICAL REVIEWS&#8221; accordion_id=&#8221;1508105974-62&#8243;]<i><span style=\"font-weight: 400;\">Museo Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, Museum Bertozzi &amp; Casoni catalogue, texts by F. STEFANI and F. BERTONI, Fiorano Modenese, 2017.<br \/>\n<\/span><span style=\"font-weight: 400;\">M.A. BAZZOCCHI, L. CORRAIN (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Storie naturali. Bertozzi &amp; Casoni al Museo di Palazzo Poggi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Palazzo Poggi, Bologna, 27 January-26 February 2017, Editrice La Mandragora, Imola.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Il Capitale Umano. Tra Consolazioni e Desolazioni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by F. BERTONI and C. FORTI, Modena, Galleria Antonio Verolino, 16 September-24 October 2016, Baselito Srl, Modena, 2016.<br \/>\n<\/span><span style=\"font-weight: 400;\">M. TONELLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Dove Come Quando<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by U. BAZZOTTI, M. TONELLI, J. SILVESTRINI, Mantova, Palazzo Te, 7 June-7 September 2014, Allemandi Editore, Torino, 2014.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Appunti recenti (contrappunti)<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by A. ZANCHETTA, Lugano, Sperone Westwater, 16 April-12 July 2014, Danilo Montanari Editore, Ravenna, 2014.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Regeneration<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by F. BERTONI, Londra, All Visual Arts Gallery, 13 October-10 November 2012, Danilo Montanari Editore, Ravenna, 2012.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. SGARBI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte non \u00e8 cosa nostra<\/span><\/i><span style=\"font-weight: 400;\">. Padiglione Italia. 54\u00b0 Esposizione Internazionale d\u2019Arte della Biennale di Venezia, 4 June-27 November 2011, exhibition catalogue, Skira, Milano, pp. 130-131.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI, J. SILVESTRINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Opere \/ Works 1980-2010<\/span><\/i><span style=\"font-weight: 400;\">, Allemandi Editore, Torino, 2010.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. MENEGUZZO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La scultura italiana del XXI secolo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Fondazione Arnaldo Pomodoro, 20 October 2010-30 January 2011, Edizioni Fondazione Arnaldo Pomodoro, Milano, 2010, pp. 58, 59, 208.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE, B. BUSCAROLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Padiglione Italia. Collaudi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, 7 June-22 November 2009, La Biennale di Venezia. 53\u00b0 Esposizione Internazionale d\u2019Arte, Silvana Editore, Cinisello Balsamo, 2009, pp. 80-87.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Castello Sforzesco, 5 July-2 September 2008; Faenza, Museo Internazionale delle Ceramiche, 20 September-11 January 2009, Allemandi Editore, Torino, 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Le bugie dell\u2019arte,<\/span><\/i><span style=\"font-weight: 400;\">\u00a0exhibition catalogue, Venezia, Ca\u2019 Pesaro, Galleria Internazionale d\u2019Arte Moderna, 7 June-2 September 2007, Damiani Editore, Bologna, 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. CASAPIETRA, R. COSTANTINO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Biennale di ceramica nell\u2019arte contemporanea. Indisciplinata<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, 8 July-10 September 2006, p. 75, p. 212, Albisola Marina (Sv), 2006.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. WEIERMAIR,\u00a0<\/span><i><span style=\"font-weight: 400;\">Eccentrics<\/span><\/i><span style=\"font-weight: 400;\">, Ursula Blickle Stiftung, Kraichtal, 2006 pp. 10-22.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI, J. SILVESTRINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica italiana del Novecento<\/span><\/i><span style=\"font-weight: 400;\">, Mondadori Electa, Milano, 2005, pp. 39-41.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. WEIERMAIR (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bologna contemporanea 1975-2005<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Galleria d\u2019Arte Moderna, 20 May-26 September 2005, Damiani, Bologna, 2005, pp. 228-231, pp. 343-344.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, New York, Galleria Sperone Westwater, 2-30 April 2005, Milano, 2005.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">O. CALABRESE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Ipermercati dell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Siena, Palazzo Pubblico, Magazzini del Sale, 9 October 2004-9 January 2005, Silvana Editoriale, Milano, 2004, p. 36.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. GROOM (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay. From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Liverpool, Tate Liverpool, 28 May-30 August 2004, Liverpool, 2004, p. 99.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by L. REGAGLIA, Trento, Studio d\u2019Arte Raffaelli, 13 December 2003-28 February 2004, Stampalith, Trento, 2003.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. DAOLIO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Galleria d\u2019Arte Moderna, 2 October-11 November 2001, Edizioni Pendragon, Bologna, 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Scegli il paradiso<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Galleria 1000eventi, 3-23 December 1998, Bertozzi &amp; Dal Monte Casoni, Imola (Bo), 1998.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Dal Monte Casoni SnC<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Sassuolo (Mo), Centro Culturale Polivalente Paggeria 16 October-7 November 1993, edited by B. Frigeri, Zanichelli, Sassuolo (Mo), 1993.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>[\/tm_accordion_tab_item][tm_accordion_tab_item textarea_html_bkg_color=&#8221;#ffffff&#8221; title=&#8221;VOLUME AND PERSONAL AND GENERAL CATALOGUES&#8221; accordion_id=&#8221;1508105974-47&#8243;]<strong>2018<\/strong><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. DOTTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gli animali nell\u2019arte dal Rinascimento a Ceruti<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Palazzo Martinengo, Brescia, 19 January-9 June 2019, Milano, 2019, pp. 232-239.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by,\u00a0<\/span><i><span style=\"font-weight: 400;\">Dialoghi d\u2019arte al Museo Bertozzi &amp; Casoni. Galileo Chini<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Sassuolo, Museo Bertozzi &amp; Casoni, 15 June-14 October 2018, Fiorano Modenese, 2018.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. RESPI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Cos\u00ec \u00e8 (se vi pare)<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Galleria Anna Marra, Roma, 6 March-7 April 2018, Roma, 2018.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Opere recenti di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in C. Giardini e C. Paolinelli (edited by),<\/span><i><span style=\"font-weight: 400;\">\u00a0La ceramica nello scaffale. Scritti di storia dell\u2019arte ceramica per l\u2019apertura della biblioteca \u201cG. Bojani\u201d a Fano<\/span><\/i><span style=\"font-weight: 400;\">, Pesaro, 2018.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Esercizi dello sguardo. Arte contemporanea in Romagna<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Argenta, Cesena, Brisighella, Forl\u00ec, 6 April-27 May 2018.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La collezione di San Patrignano<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, La Triennale, 16 March-2 April 2018, San Patrignano, 2018.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. FAGONE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Geografia di un interno. Luoghi dell\u2019abitare e ricerca artistica tra memoria e sperimentazione<\/span><\/i><span style=\"font-weight: 400;\">, Milano, 2018.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><strong>2017<\/strong><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Museo Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, Museum Bertozzi &amp; Casoni catalogue, texts by F. STEFANI and F. BERTONI, Fiorano Modenese, 2017.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BONITO OLIVA,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019albero della cuccagna. Nutrimenti dell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, 25 September 2015-10 March 2017, Skira, 2017.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. PIZZICHINI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Imperfetto e impermanente. Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Siena, Sala dei vasai, 19-28 May 2017.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. PAPETTI, E. MORI, G. BERARDINELLI, S. BARTOLINI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Minimi avanzi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, critical text by M. Senaldi, Pinacoteca Civica, Ascoli Piceno, 25 March-24 September 2017, Camerino, 2017.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">M.Y. PUGLIESE, P. FENG (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">FLOW. Arte contemporanea Italiana e Cinese in dialogo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Vicenza, Basilica Palladiana, 25 March-7 May 2017, Modugno, pp. 56-57, 100-101, 146-147.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M.A. BAZZOCCHI, L. CORRAIN (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Storie naturali. Bertozzi &amp; Casoni al Museo di Palazzo Poggi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Palazzo Poggi, Bologna, 27 January-26 February 2017, Imola, 2017.<br \/>\n<\/span><b>2016<\/b><b><br \/>\n<\/b><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Il Capitale Umano. Tra Consolazioni e Desolazioni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by F. BERTONI and C. FORTI, Modena, Galleria Antonio Verolino, 16 September-24 October 2016, Baselito Srl, Modena, 2016.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BORSELLINI, G. CIRRI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Gubbio 2016. XXVI Biennale di Scultura<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Palazzo Ducale, Gubbio, 15 October 2016-15 January 2017, pp. 22-25.<br \/>\n<\/span><b><\/b><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Il Capitale Umano. Tra Consolazioni e Desolazioni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by F. BERTONI and C. FORTI, Modena, Galleria Antonio Verolino, 16 September-24 October 2016, Baselito Srl, Modena, 2016.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">XXIV Biennale Internationale. Cr\u00e9ation contemporaine et c\u00e9ramique. Vallauris 2016<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Vallauris, 2016, pp. 110-115, pp. 168-171.\u00a0<\/span><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><i><span style=\"font-weight: 400;\">ArteBrunello. 5 opere per 5 stelle<\/span><\/i><span style=\"font-weight: 400;\">, Consorzio del Vino Brunello di Montalcino, February 2016.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Zoote<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Torino, Galleria Benappi, 14 January-28 February 2016, Arti Grafiche Parini, Torino, pp. 52-60.<br \/>\n<\/span><b><\/b><b>2015<\/b><b><br \/>\n<\/b><i><span style=\"font-weight: 400;\">Ceramix<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Maastricht, Bonnefantenmuseum 16 October 2015-31 January 2016; Parigi, La Maison Rouge, 9 March-8 June 2016; S\u00e8vres, Cit\u00e8 de la C\u00e9ramique, 9 March-8 June 2016, Snoeck Publishers, Belgio, pp. 171, 295. \u00a0<\/span><b><br \/>\n<\/b><i><span style=\"font-weight: 400;\">Il gusto della contaminazione. Percorsi di stile nelle arti italiane<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Modena, Chiesa di San Carlo, 25 May-19 July 2015, Corsiero Editore, Reggio Emilia, pp. 38-39, pp. 142-143.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. DOTTI (edited by),<\/span><i><span style=\"font-weight: 400;\">\u00a0Il cibo nell&#8217;arte. Capolavori dei grandi maestri dal Seicento a Warhol<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Brescia, Palazzo Martinengo, 24 January-14 June 2015, Silvana Editoriale, Cinisello Balsamo 2015, pp. 250-255.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Non Ricordo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by F. SARDELLA, Milano, Galleria Tega, 24 February-11 April 2015, Gruppo Spaggiari Parma, 2015.<br \/>\n<\/span><b>2014<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">arte dal Vero. Aspetti della figurazione in Romagna dal 1900 a oggi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Imola, Centro Polivalente Gianni Isola and Museo di San Domenico, 7 November 2014-8 March 2015, Editrice La Meragora, Imola, 2014, pp. 58-62.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. TONELLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Dove Come Quando<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by U. BAZZOTTI, M. TONELLI, J. SILVESTRINI, Mantova, Palazzo Te, 7 June-20 August 2014, Allemandi Editore, Torino, 2014.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Prestigium Italia I. Contemporary artists from Italy<\/span><\/i><span style=\"font-weight: 400;\">, Imago Mundi, Luciano Benetton Collection, texts by L. BENETTON \u00a0and L. BEATRICE, Fabrica 2014, pp. 62-63.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. CHUNG (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">A tea in three cities<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Galerie Huit, Hong Kong, May-June 2014.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Appunti recenti (contrappunti)<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by A. ZANCHETTA, Lugano, Sperone Westwater, 16 April-12 July 2014, Danilo Montanari Editore, 2014.<br \/>\n<\/span>GEOLFI,\u00a0<i>Bertozzi &amp; Casoni: i maestri del dubbio<\/i>, thesis in Storia dell\u2019arte contemporanea, Facolt\u00e0 di lettere and filosofia, Corso di Laurea in Scienze Storiche-Artistiche, Universit\u00e0 La Sapienza di Roma, a.a. 2013-2014.<br \/>\nQUATTRONE,\u00a0<i>IN ITINERE arte contemporanea in trasformazione<\/i>, EQUIP\u00e8CO, Carmine Mario Muliere Editore, San Cesareo (Rm), pp. 36, 40, 184. 2014<br \/>\n<span style=\"font-weight: 400;\">M. ROMEO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni: artisti e artigiani. Storia dell&#8217;Opificio dal 1980 ad oggi<\/span><\/i><span style=\"font-weight: 400;\">, thesis in Storia dell&#8217;Arte, Dipartimento dei Beni Culturali: Archeologia, Storia dell&#8217;Arte, del Cinema and della Musica, Universit\u00e0 degli Studi di Padova, a.a. 2013-2014.<br \/>\n<\/span><b>2013<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">in<\/span><i><span style=\"font-weight: 400;\">Back to earth. Von Picasso bis Ai Weiwei &#8211;\u00a0Die Wiederentdeckung der Keramik in der Kunst<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Gerisch-Stiftung, Neum\u00fcnster (Germany), 25 Mai-27 Oktober 2013, Wachholtz, Neum\u00fcnster 2013, pp. 170-171.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte \u00e8 un romanzo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Palazzo della Penna, Perugia, 24 April-1 September 2013, Silvana Editoriale, Cinisello Balsamo 2013, p. 135.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Timeless<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by A. LAITEMPERGHER and N. VAN ZEELE, Museum Beelden aan Zee, L\u2019Aia, 25 January-19 May 2013.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Renaissance Reloaded<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Arte Fiera Bologna, 25-28 January 2013; Beck &amp; Eggeling, D\u00fcsseldorf, 2 February-23 March 2013, Beck &amp; Eggeling Kunstverlag 2013, pp. 114-115.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2012<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">G.E.SPERONE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Senzatitolo (la O di Giotto)<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Lugano, Sperone Westwater, 30 November 2012-15 February 2013, Arti Grafiche Parini, Torino.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. DI MARZIO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Homo Faber. Il ritorno del fare nell\u2019arte contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Castello Sforzesco, 7 November 2012-6 January 2013, Allemandi &amp; C, Torino, p. 25.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. COSTA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Biennale delle Chiese Laiche. Le arti alla fine del mondo<\/span><\/i><span style=\"font-weight: 400;\">, V edizione, exhibition catalogue, Cervia-Faenza-Lugo-Massa Lombarda-Ravenna-Russi, 28 October-8 December 2012, Il Cerbero, Russi, pp. 60-61.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Regeneration<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by F. BERTONI, Londra, All Visual Arts Gallery, 13 October-10 November 2012, Danilo Montanari Editore, October 2012.\u00a0<\/span><b><br \/>\n<\/b><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Verso Oriente e ritorno. L\u2019arte orientalista e gli scambi di modelli decorativi nel bacino del Mediterraneo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Palazzo Podestarile, Montelupo Fiorentino (Fi), 23 June-14 October 2012, no\u00e8dizioni, Firenze, pp. 238-239.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Popism. L\u2019arte in Italia dalla teoria dei mass media ai social network<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Fondazione Michetti, 21 July-31 August 2012, Vallecchi, Firenze, pp. 32-33.<\/span><b><br \/>\n<\/b><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni, Nicola Bolla, Tania Pistone<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, texts by F. BERTONI, A. KUHNN, P. BONACINA, Londra, Robilant + Voena, 1 May-2 June 2012, Arti Grafiche Parini, Torino, 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G.E. SPERONE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Marble sculpture from 350 B.C. to last week<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, New York, Sperone Westwater Gallery, 12 January-25 February 2012, Sperone Westwater, New York 2012, p. 23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2011<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">M. PIEROPAN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Voglia di comunicare: un approccio semiotico ad alcuni lavori di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, thesis in \u00a0Semiotica dell\u2019arte, Corso di laurea in Discipline delle Arti, della Musica e dello Spettacolo, \u00a0Facolt\u00e0 di Lettere and filosofia, Universit\u00e0 di Bologna, a.a. 2010-2011.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. GUALDONI, N. VESPIGNANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Lo scultore, la terra. Artisti e Ricerche 1920\/2011<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Roma, Archivio della Scuola Romana and Emmeotto, 16 December 2011-31 January 2012, Alfa Grafica, Napoli, p. 47.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. BERARDI, J. LEE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Premio Pino Pascali 2011. XIV edizione. Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Polignano a Mare (Ba), Museo Pino Pascali, 29 October 2011-15 January 2012, Aliante, Polignano a Mare (Ba).<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Disgrazie<\/span><\/i><span style=\"font-weight: 400;\">, texts by F. BERTONI and D. PAPARONI, exhibition catalogue, Verona, FaMa Gallery, 1 October &#8211;\u00a023 December 2011.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. ZANCHETTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">In articulo mortis. Simboli d\u2019opulenza e di lordura<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Frenologia della vanitas. Il teschio nelle arti visive<\/span><\/i><span style=\"font-weight: 400;\">, Johan &amp; Levi Editore, Monza (Mi), pp. 107-112.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. SGARBI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte non \u00e8 cosa nostra,\u00a0<\/span><\/i><span style=\"font-weight: 400;\">Padiglione Italia. 54\u00b0 Esposizione Internazionale d\u2019Arte della Biennale di Venezia, exhibition catalogue, 4 June-27 November 2011, Skira, Milano, pp. 130-131.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Tra il sublime e l\u2019idiota. L\u2019umorismo dell\u2019arte contemporanea italiana<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Tolentino, Palazzo Parisani Bezzi, Sale Napoleoniche, 22 July-2 October 2011, Silvana Editoriale, Milano, pp. 20-21, p. 80.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CAZORLA, M. MAGLIOZZI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Mondes c\u00e9ramiques. Exposition Aubagne 2011<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Aubagne, Centre d\u2019Art, Chapelle des P\u00e9nitents Noirs, 29 June-18 September 2011, Beta, Barcelona, p. 50, pp. 58-59.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BRAN\u00c0, G. CAROPPO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Pino Pascali. Ritorno a Venezia. Puglia Arte Contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Venezia, Palazzo Bianchi Michiel, 1 June-7 August 2011, Di Marsico Libri, Bari, pp. 132-133.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. NONNI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Territorio e ceramica. Faenza strategie per il futuro<\/span><\/i><span style=\"font-weight: 400;\">, Comune di Faenza, Graphic Line, Faenza, 2011, p. 137.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2010<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI, J. SILVESTRINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Opere \/ Works 1980-2010<\/span><\/i><span style=\"font-weight: 400;\">, Allemandi Editore, Torino, 2010.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. MENEGUZZO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La scultura italiana del XXI secolo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Fondazione Arnaldo Pomodoro, 20 October 2010-30 January 2011, Edizioni Fondazione Arnaldo Pomodoro, Milano, 2010, pp. 58, 59, 208.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">J. LA PLACA, M. SEERS (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Vanitas. The Transience of Earthly Pleasures<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, All Visual Arts, Londra, 12-17 October, pp. 58-61, pp. 136-137, pp. 160-163.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Sent (Svizzera), Galleria Sperone, August-September 2010.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">2 sedie elettriche. Luigi Ontani, Electric throne, 2007. Bertozzi &amp; Casoni, Sedia elettrica con farfalle, 2010<\/span><\/i><span style=\"font-weight: 400;\">, giornale di mostra, Faenza, Museo Internazionale delle Ceramiche, 12 June-14 November 2010, Tipografia Valgimigli, Faenza, 2010.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. DI PIETRANTONIO, F. REFERZA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Au Pair. Coppie di fatto nell\u2019arte contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Fondazione Malvina Menegaz per le Arti and le Culture, Castelbasso, Palazzo De Sanctis, 26 June-29 August 2010, pp. 20-23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. MINNUCCI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte mercificata di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, thesis in Fenomenologia dell\u2019arte contemporanea, Facolt\u00e0 di lettere and filosofia, Universit\u00e0 di Bologna, a.a. 2009-2010.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MENDINI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Quali cose siamo. III Triennale<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Triennale Design Museum, 27 March 2010-27 February 2011, Mondadori Electa, Milano, pp. 86-87.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Polvere. L\u2019arte di Bertozzi &amp; Casoni. Viaggio tra Venezia e New York<\/span><\/i><span style=\"font-weight: 400;\">, documentary, directed by M. BARTOLI, editorial series \u201cVideo Tracce n. 4\u201d della Fondazione Cassa di Risparmio di Imola, Imola (Bo), 2010.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2009<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ceramica Italiana de los siglos XVI al XXI<\/span><\/i><span style=\"font-weight: 400;\">, Bicentenario Cultural 2010, exhibition catalogue, Instituto Cultural de Providencia, November 2009-March 2010, pp. 132-135.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. PARMESANI, C. BERIOLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Artificio and Natura<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Perugia, Galleria Armory Arte, 10 October-21 November 2009, pp. 16-19, p. 51.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE, B. BUSCAROLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Collaudi<\/span><\/i><span style=\"font-weight: 400;\">, Padiglione Italia, 53\u00b0 Esposizione Internazionale d\u2019Arte della Biennale di Venezia, exhibition catalogue, 7 June-22 November 2009, Silvana Editore, Cinisello Balsamo, 2009, pp. 80-87.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. VALCAMONICA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Untitled. The best of Galleria Cardi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Galleria Cardi, 21 January-6 February 2009, Mondadori Electa, Milano 2009, 1836311903, 2111485077978050.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2008<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by),<\/span><i><span style=\"font-weight: 400;\">\u00a0L\u2019altro Novecento. Opere dai depositi del MIC<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Faenza, Museo Internazionale delle Ceramiche, 31 July-2 September 2008, Tipografia Faentina, Faenza 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Castello Sforzesco, 5 July-2 September 2008; Faenza, Museo Internazionale delle Ceramiche, 20 September-11 January 2009, Allemandi Editore, Torino, 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">J. BENTINI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Fa\u00efence. Cento anni del Museo Internazionale delle Ceramiche in Faenza<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Roma, Biblioteca della Camera dei deputati, 2 April-30 May 2008; Milano, Castello Sforzesco, 5 July-2 September 2008, Allemandi Editore, Torino, 2008, pag. 274.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Museo Internazionale delle Ceramiche in Faenza. Guida ragionata<\/span><\/i><span style=\"font-weight: 400;\">, Allemandi Editore, Torino 2008, p. 91.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. GAUDENZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Novecento. Ceramiche italiane. Protagonisti e opere del XX secolo<\/span><\/i><span style=\"font-weight: 400;\">, vol. 3 ultimi decenni, Faenza Editrice, 2008, pp. 58, 61-63.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. and R. CALAROTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019essenza della terra nell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, G.A.M. Galleria d\u2019Arte Mayre, La Grafica, Mori (Tn), pp. 16-17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. Daolio,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi&amp;Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in PaggeriArte. Percorsi nel contemporaneo. Betta Frigeri arte contemporanea, Sassuolo (Mo), 2008.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2007<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019alibi dell\u2019oggetto. Morandi e gli sviluppi della natura morta in Italia<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Lucca, Fondazione Centro Studi sull\u2019Arte Licia and Carlo Ludovico Ragghianti, Complesso Monumentale di San Micheletto, 16 November 2007-20 January 2008, San Marco Litotipo, Lucca, 2007, pp. 156-157.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Oltre l\u2019oggetto. Morandi e la natura morta oggi in Italia<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Francavilla al mare (Chieti), MuMi, Museo Michetti, Palazzo San Domenico, 30 June-30 September 2007, Paper\u2019s World, Teramo, 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Le bugie dell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Venezia, Ca\u2019 Pesaro, Galleria Internazionale d\u2019Arte Moderna, 7 June-2 September 2007, Damiani Editore, Bologna, 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. CASTELLI, R. GIOVANNINI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Presepi in mostra. Gli artisti della ceramica e il tema della nativit\u00e0<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Cerro di Laveno Mombello, Museo Internazionale Design Ceramico, 8 December 2007-6 January 2008, Comune di Laveno Mombello, 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2006\u00a0<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. DE PALMA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Collezionami<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bari, Cittadella della cultura, 19 December 2006-17 January 2007, 2\u00b0 edition Biennale d\u2019Arte Contemporanea, pp. 32-35.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Il marmo e la celluloide. Arte contemporanea e visioni cinematografiche<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Marina di Pietrasanta (Lu), La Versiliana, 8 July-31 August 2006, pp. 74-77, pp. 162-163, Silvana editoriale, Cinisello Balsamo (Mi), 2006.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. CASAPIETRA, R. COSTANTINO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Biennale di ceramica nell\u2019arte contemporanea. Indisciplinata<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, 8 July-10 September 2006, p. 75, p. 212, Albisola Marina (Sv), 2006.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. WEIERMAIR,\u00a0<\/span><i><span style=\"font-weight: 400;\">Eccentrics<\/span><\/i><span style=\"font-weight: 400;\">, Ursula Blickle Stiftung, Kraichtal, 2006 pp. 10-22.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. CAIMMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">I luoghi della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, tesi di laurea, Accademia di Belle Arti di Urbino, a.a. 2005-2006.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2005<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI, J. SILVESTRINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica italiana del Novecento<\/span><\/i><span style=\"font-weight: 400;\">, Mondadori Electa, Milano, 2005, pp. 39-41.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. CORTENOVA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Art Verona 05. L\u2019arte e i suoi percorsi<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, October 2005, Fullsteam, Verona, 2005.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. WEIERMAIR (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bologna contemporanea 1975-2005<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Galleria d\u2019Arte Moderna, 20 May-26 September 2005, Damiani, Bologna, 2005, pp. 228-231, pp. 343-344.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by), Bertozzi &amp; Casoni, exhibition catalogue, New York, Galleria Sperone Westwater, 2-30 April 2005, Milano, 2005.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">XIV Quadriennale di Roma<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Roma, Galleria Nazionale d\u2019Arte Moderna, 9 March-31 May 2005, Mondadori Electa, Milano, 2005, p. 42, p. 174.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. FRIGERI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Contemporary Ceramic Art<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Castello di Spezzano, 19 June-21 August 2005, Artestampa, Modena, pp. 14-15.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2004<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">O. CALABRESE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Ipermercati dell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Siena, Palazzo Pubblico, Magazzini del Sale, 9 October 2004-9 January 2005, Silvana Editoriale, Milano, 2004, p. 36.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. GROOM (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay. From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Liverpool, Tate Liverpool, 28 May-30 August 2004, Liverpool, 2004, p. 99.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BIFFI GENTILI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Oddesign!<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Torino, Lingotto Fiere, Padiglione 5, 6-10 May 2004, Torino.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2003<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, text by L. Regaglia, Trento, Studio d\u2019Arte Raffaelli, 13 December 2003-28 February 2004, Stampalith, Trento, 2003.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Cover Theory<\/span><\/i><span style=\"font-weight: 400;\">, Scheiwiller, Milano, 2003.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Giardini in fiera<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, San Casciano in Val di Pesa (Fi), Villa Le Corti, 19-21 September 2003, Giardini in fiera, Firenze 2003, pp. 8-11.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. CASAPIETRA, R. COSTANTINO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Biennale di ceramica nell\u2019arte contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, II edizione, exhibition catalogue, Savona, Vado Ligure, Albisola Superiore, Albissola Marina, 27 September-9 November 2003, Attese, Galli &amp; Thierry, Milano, pp. 81-85, p. 350, p. 373.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. ZANNIER (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Maravee. Buono da guardare<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Ariis di Rivignano (Ud), Villa Ottelio-Savorgnan, 2-31 August 2003, Comunicarte Edizioni, Trieste, 2003.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Cover Theory. L\u2019arte contemporanea come re-interpretazione<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Piacenza, Officina della luce, 11 May-29 June 2003, NuovaLitoEffe, Castelvetro Piacentino (Pc), pp. 96-97.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2002<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BIFFI GENTILI, A. LECLERCQ (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Masterpieces\/capolavori. L\u2019artista artigiano tra Picasso e Sottsass<\/span><\/i><span style=\"font-weight: 400;\">. Celebrazioni del Centenario della Esposizione Internazionale di Arte Decorativa Moderna di Torino del 1902, exhibition catalogue, Torino, Palazzo Bricherasio, 5 December 2002-26 January 2003, World Crafts Council Europa and Fondazione per il Libro la Musica la Cultura, Torino, 2002, pp. 40-41.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">42\u00b0 Premio Suzzara. Citt\u00e0 e campagna. Frontiere 2002<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Suzzara, Galleria Civica d\u2019Arte Contemporanea, 15 September-1 December 2002, Publi Paolini, Mantova, pp. 60-61, pp. 146-147.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. BETTI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">T\u00e8. Vie e virt\u00f9 di una foglia esotica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Imola, Palazzo Tozzoni, 3-17 November 2002, Grafiche Baroncini and Imolagrafiche, Imola (Bo), 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. CORGNATI, J. LENSSEN, E. MASCELLONI, M. POZZATI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Citt\u00e0 and campagna. Frontiere 2002. XLII Premio Suzzar<\/span><\/i><span style=\"font-weight: 400;\">a, exhibition catalogue, Suzzara (Mn), Galleria Civica d&#8217;Arte Contemporanea 15 September-1 December 2002, Publi Paolini, Mantova, 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">N. MANGIONE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Col sale<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Torino, Galleria In Arco, 22 April-5 May 2002, Industrie Grafiche Lombarde, Settimo Milanese (Mi), 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Arte &amp; Solidariet\u00e0<\/span><\/i><span style=\"font-weight: 400;\">. I edizione, exhibition catalogue, Imola, Associazione Don Orfeo Giacomelli Onlus, 16-25 February 2002, Quaderni intonsi, Imola (Bo), 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. MANARA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Artistinati<\/span><\/i><span style=\"font-weight: 400;\">. Rassegna sulla ricerca artistica a Imola, Imola (Bo), 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2001<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Galleria Cardi, 21 November 2001-19 January 2002, GBM Grafica, Milano, 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">. Gian Enzo Sperone Gallery, in FIAC 2001, exhibition catalogue, Paris Expo, 10 October-15 October 2001, Paris, 2001, pp. 496-497.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. DAOLIO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Galleria d\u2019Arte Moderna, 2 October-11 November 2001, Edizioni Pendragon, Bologna, 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Laboratorio materiale<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Fano, Chiesa di San Francesco, Chiesa di San Pietro in Valle, Chiesa del Suffragio, Galleria Astuni, 8 September-14 October 2001, Galleria Astuni, Fano (Pu), 2001, tavv. 7-8.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. CASAPIETRA, R. COSTANTINO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Biennale di ceramica nell\u2019arte contemporanea. Il volto felice della globalizzazione<\/span><\/i><span style=\"font-weight: 400;\">, Albissola Marina, Museo della Ceramica Manlio Trucco, 21 July-31 August 2001; Gen\u00e8ve, Mus\u00e9\u00e8 Ariana, 26 Juin-2 Septembre 2002, Grafiche F.lli Spirito, Savona, 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BUSTO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Terra! Terra! Ceramiche, terrecotte, maioliche e porcellane di artisti contemporanei<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Caraglio (Cn), Centro Sperimentale per le Arti Contemporanee, Convento dei Cappuccini, 22 April-17 June 2001, Edizioni Marcovaldo, Marene (Cn), 2001, pp. 60-61.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">J. RUIZ DE INFANTE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Faenza oggi. Gli artisti della ceramica contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, Fiorepubblicit\u00e0, Sesto Fiorentino (Fi), 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BACILIERI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Figure del Novecento<\/span><\/i><span style=\"font-weight: 400;\">, Liason Comunicazione, Bologna, 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2000<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BIFFI GENTILI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Viaggio attraverso la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Vietri sul Mare (Sa), Palazzo della Guardia, 9 December 2000-10 January 2001, Menab\u00f2, Salerno, 2000, p. 46.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A MINOLA, M.C. MUNDICI, F. POLI, M.T. ROBERTO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Luci in galleria. Da Warhol al 2000. Gian Enzo Sperone. 35 anni di mostre fra Europa e America<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Torino, Palazzo Cavour, 6 October 2000-14 January 2001, Hopefulmonster Editore, Torino, 2000, p. 96.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. GUARINO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Guida agli artigiani ceramisti dell\u2019Emilia Romagna<\/span><\/i><span style=\"font-weight: 400;\">, Patron, Bologna, 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">17\u00b0 Biennale internationale de c\u00e9ramique contemporaine de Vallauris<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Vallauris, Mus\u00e9e Magnelli, Mus\u00e9e de la C\u00e9ramique, 8 Juillet-23 Octobre 2000, Rey, Villeurbanne, 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. ALESSERINI, M. BORSARI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Il sorriso dello spirito<\/span><\/i><span style=\"font-weight: 400;\">, Banca Popolare dell\u2019Emilia Romagna, Modena, 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Cultura d\u2019Europa<\/span><\/i><span style=\"font-weight: 400;\">. Regione Emilia Romagna, Istituto Beni Culturali, Bologna, 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Gian Enzo Sperone<\/span><\/i><span style=\"font-weight: 400;\">. Torino Roma New York. 35 anni di mostre fra Europa and America, vol. II, Hopefulmonster, Torino, 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. GUARINO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Dal Monte Casoni s.n.c.<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Guida agli artigiani ceramisti dell\u2019Emilia Romagna<\/span><\/i><span style=\"font-weight: 400;\">, P\u00e0tron Editore, Bologna, 2000, pp. 30-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1999<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. MANARA (edited by),<\/span><i><span style=\"font-weight: 400;\">\u00a0Formula 6<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Castel San Pietro Terme, Sala Comunale, 1-30 November 1999, F.lli Cava, Castel San Pietro Terme (Bo), 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. GIANUIZZI, M. MANARA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Eccentrica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Varignana, Castel San Pietro Terme, Imola, 27 September-24 October 1998, F.lli Cava, Castel San Pietro Terme (Bo), 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Mater Materia<\/span><\/i><span style=\"font-weight: 400;\">, Prima Biennale Internazionale delle Arti Applicate di Matera, exhibition catalogue, Matera, 30 September-3 October 1999, pp. 30-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Le diversit\u00e0. Dai rituali domestici: odori e sapori<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Firenze, Fortezza da Basso, 23 April -3 May 1998, Sogese, Firenze, 1999, p. 17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1998<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">BERTOZZI &amp; CASONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Biografia illustrata. Innovazione di processo, innovazione di prodotto. Scegli il Paradiso<\/span><\/i><span style=\"font-weight: 400;\">, 3 volumes, texts by L. Parmesani, E. Alamaro, R. Daolio, Grafiche Morei, Fusignano (Ra), 1998.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Scegli il paradiso<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Galleria 1000eventi, 3-23 December 1998, Bertozzi &amp; Dal Monte Casoni, Imola (Bo), 1998.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Oscar Wilde. Le sue opere, i suoi personaggi interpretati da 91 artisti<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Torino, Fondazione Sero Penna, Galleria Maze, 3-17 December 1998, La Grafica Nuova, Torino, 1998, n. 8.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Amore mediterraneo, a bocca aperta, le diversit\u00e0<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Galleria Art\u00e8, September 1998, Galleria Canonica, October 1998, Milano, 1998, p. 17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Le diversit\u00e0. Dai rituali domestici: la prima colazione<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Firenze, Fortezza da Basso, 23 April -3 May 1998, Sogese, Firenze, 1998, pp. 30-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1997<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Una sola moltitudine. Eteronimi di una vozza<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, a cura del Centro Angelo Savelli, Lamezia Terme, Chiostro di S. Domenico, 22 November-31 December 1997, Lamezia Terme, 1997, p. 34.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Migrazioni spirituali mediterranee. L\u2019uomo nomade. Spiritualit\u00e0 nella storia<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bettona, 9-18 May 1997, Napoli, 1997.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">L\u2019arte nel decoro. Il decoro nell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, Fiorano Modenese (Mo), 1997.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1996<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Fatto ad arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Todi, Palazzo delle Arti, 22 November-15 December 1996, Litograf, Todi (Pg), 1996, p. 17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. FRIGIERI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Oltre la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Sassuolo, Paggeria Uno and Sala Matrimoni, 28 September-20 October 1996, Grafiche Zanichelli, Sassuolo (Mo), 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. COEN (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Arteindustria. Ai confini della terra<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Trevi, Flash Art Museum, 7-29 September 1996, Tipografia Faentina per Giancarlo Politi, Faenza (Ra), 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Facciamo le scarpe all\u2019Aids<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Palazzo Re Enzo, 5-12 May 1996, Stampa M.G., Bologna, 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. SAN PIETRO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Nuovi allestimenti in Italia<\/span><\/i><span style=\"font-weight: 400;\">, L\u2019archivolto, Milano, 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Dilmos Edizioni<\/span><\/i><span style=\"font-weight: 400;\">, Dilmos, Milano, 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1995<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Dieci anni di ricerca, sperimentazione enuove prospettive<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Verona, Abitare il tempo, 22-26 September 1995, Grafiche Zanini, Bologna, 1995.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. CELLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Il sogno del cavallo. Celebrazioni<\/span><\/i><span style=\"font-weight: 400;\">, Grosseto, Rassegna Internazionale di Arte Contemporanea, exhibition catalogue, Cassero Senese, Grosseto, July 1995-January 1996, Publimago, Grosseto, 1995, pp. 30-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. GHINASSI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La ceramica di Faenza<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Fatto ad arte. Arti decorative e artigianato. Triennale di Milano<\/span><\/i><span style=\"font-weight: 400;\">, edited by di U. LA PIETRA, Fantonigrafica Elemond, Milano, 1995, pp. 14-15.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La scuola dei maestri. L\u2019Istituto d\u2019Arte \u201cG. Ballardini\u201d, officina faentina 1916-1995<\/span><\/i><span style=\"font-weight: 400;\">, Faenza Editrice, Faenza (Ra), 1995, p. 113.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1993<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Dal Monte Casoni SnC<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Sassuolo (Mo), Centro Culturale Polivalente Paggeria 16 October-7 November 1993, edited by B. Frigeri, Zanichelli, Sassuolo (Mo), 1993.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Progetti and territori \u201993<\/span><\/i><span style=\"font-weight: 400;\">, Verona, Abitare il tempo, 14-18 October 1993, Grafiche Zanini, Bologna, 1993, p. 102.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il Nuovo Eclettismo<\/span><\/i><span style=\"font-weight: 400;\">, in Il Neoeclettismo 1992-1993, Abitare il Tempo, Verona, pp. 7-13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">120. 1874-1994. Dal 1874. Cooperativa ceramica d\u2019Imola<\/span><\/i><span style=\"font-weight: 400;\">, Grafiche Soncini, Imola (Bo), 1993.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. FRIGIERI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Contrappunto<\/span><\/i><span style=\"font-weight: 400;\">, Esagono, Rubiera (Re), 1993.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1992<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA, G. BARBIERI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Alabastro. Oggetti fatti ad arte<\/span><\/i><span style=\"font-weight: 400;\">, Centro Internazionale di Brera, Milano, Ex Chiesa di S. Carpoforo, 2-25 November 1992, Grafica 92, Vignate (Mi), 1992, p. 54.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La casa neoeclettica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Verona, Abitare il tempo, 15-19 October 1992, Arsenale editrice, Verona, 1992, p. 50.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Immediati dintorni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, San Gimignano, Localit\u00e0 Volpaia, Podere terreno in Radda in Chianti, 12-17 September 1992, Tipografia MM, San Gimignano (Si), 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G.C. BOJANI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">1950-1990 Ceramiche italiane contemporanee<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue itinerante, Kyushu, Museo delle Ceramiche, 29 August-4 October 1992; Shigaraki, Museo delle Ceramiche d\u2019Arte Contemporanea, 10 October-23 November 1992; Toki, Centro Municipale d\u2019Industria and Cultura, 22 January-21 February 1993, Saga-Ken, Japan, 1992, pp. 26-27.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Dino Gavina. Collezioni emblematiche del moderno dal 1950 al 1992<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Fondazione Scientifica Querini Stampalia, 27 June-23 August 1992, Jaka Book, Milano, 1992, p. 119.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Souvenir. Nuovi oggetti e progetti per una memoria balneare<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Cattolica, Ex colonia Le Navi, 14 June-6 September 1992, Edizioni Essegi, Ravenna, 1992, p. 36.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">GALLERIA PLACENTIA ARTE (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Retablo, Rassegna d\u2019arte contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Piacenza, Palazzo Gotico, 15 February-15 March 1992, Grafic Art, Piacenza, 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Laboratori naturali<\/span><\/i><span style=\"font-weight: 400;\">, in<\/span><i><span style=\"font-weight: 400;\">\u00a0La vita tra cose e natura: il progetto e la sfida ambientale<\/span><\/i><span style=\"font-weight: 400;\">, Milano, Esposizione Internazionale della XVIII Triennale, 6 February-3 May 1992, Mondadori Electa, Milano, 1992, pp. 60-63.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi Giampaolo &amp; Dal Monte Casoni Stefano<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Archivio della creativit\u00e0 imolese 1992-1993<\/span><\/i><span style=\"font-weight: 400;\">, Tipografia F.lli Cava, Imola (Bo), 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">100 % make up, Alessero Mendini e&#8230; La fabbrica estetica<\/span><\/i><span style=\"font-weight: 400;\">. Alessi Tendentse 1992, Grafiche Meroni, Lissone (Mi), 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1991<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Progetti and territori. Abitare il tempo<\/span><\/i><span style=\"font-weight: 400;\">, Verona, Quartiere Fieristico, 24-28 October 1991, Arsenale Editrice, Verona, 1991.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il nuovo bagno. Da area servizio a santuario del corpo<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Quartiere fieristico, 1-6 October 1991, EDI. CER., Sassuolo (Mo), 1991.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SHIMIZU, D. PALTERER (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">The Italian Furniture<\/span><\/i><span style=\"font-weight: 400;\">, Graphic-Sha, Tokyo, 1991.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi Giampaolo, Dal Monte Casoni Stefano<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Arte e ceramica in laboratorio<\/span><\/i><span style=\"font-weight: 400;\">, edited by G.C. BOJANI, I. ANCONELLI, Comune di Faenza, Faenza (Ra), 1991, pp. 35-37.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi Giampaolo &amp; Dal Monte Casoni Stefano<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">La Banca di Oklahoma. Dizionario enciclopedico<\/span><\/i><span style=\"font-weight: 400;\">, edited by L. GRAZIOLI, Edizioni Bacacay, Fara d\u2019Adda (Bg), 1991 pp. 12-20.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Per abitare con arte<\/span><\/i><span style=\"font-weight: 400;\">, Centro Internazionale di Brera, Milano, 1991.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Progetto PIM. Nuova Tradizione<\/span><\/i><span style=\"font-weight: 400;\">, Tipografia Musini, Bologna, 1991.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1990<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Per abitare con l\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Ex Chiesa di S. Carpoforo, 20 September-20 October 1990, Azzurra Editrice, Milano, 1990, p. 21.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Design balneare III<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Cattolica, Centro Culturale Polivalente, 14 July-15 September 1990, Alinea Editrice, Firenze, 1990, p. 51.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">L\u2019arte della tavola<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Verona, Quartiere Fieristico, 4-8 May 1990, Alinea Editrice, Firenze, 1990, pp. 32-33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. CELLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Sculture<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Castel San Pietro Terme, Palazzo delle Terme, 25 April-10 May 1990, Grafiche Zanini, Bologna, 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Y. SABUR\u00d4 (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Via stagione<\/span><\/i><span style=\"font-weight: 400;\">, Tokyo, 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Architectural Ceramic Art<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">I lavori del T\u00f4gakud\u00f4<\/span><\/i><span style=\"font-weight: 400;\">, T\u00f4gakud\u00f4, Kyoto, 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1989<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte della tavola. Abitare il tempo a Milano<\/span><\/i><span style=\"font-weight: 400;\">, Milano, Centro Internazionale di Brera, 12-30 September 1989, Azzurra editrice, Milano, 1989.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019Art dans les meubles<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Salon International du Meuble, 12-17 Janvier 1989, Alinea Editrice, Firenze, 1989, pp. 22-24.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Centro Internazionale di studi and Sperimentazione sulla Ceramica. Cooperativa Ceramica di Imola<\/span><\/i><span style=\"font-weight: 400;\">, works catalogue, Tiposet, Imola (Bologna), 1989, pp. 18-23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Jugend gestaltet. Sonderschau der Internationalen Hewerksmesse<\/span><\/i><span style=\"font-weight: 400;\">, Bayerischer Hewerkstag, M\u00fcnchen, 1989, p. 36.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Museo Internazionale delle Ceramiche, Laboratorio Giocare con l\u2019Arte, Quaderno 6<\/span><\/i><span style=\"font-weight: 400;\">, Faenza, 1989, p. 69. \u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1988<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Biennale \u201888. Giovani artisti dell\u2019Europa mediterranea<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, San Giorgio in Poggiale, 12-21 December 1988, Bologna, 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Creativi per la Biennale \u201888<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Imola, Casa Piani, 3-15 December 1988, Imola, 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Abitare con arte<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Milano, Ex Chiesa di S. Carpoforo, 16 September-15 October 1988, edition Kat\u00e0, s. l., 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. DI PIETRANTONIO, L. PARMESANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Da zero all\u2019infinito<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Il cielo e dintorni<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Radda in Chianti, Castello di Volpaia, 10-25 September 1988, Fattoria editrice, Radda in Chianti (Si), 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Design. \u201cL\u2019arte del Progetto\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in XXVIII Concorso Internazionale della Ceramica d\u2019Arte, exhibition catalogue, Gualdo Tadino, 6 August-30 September 1988, Litostampa, Ponte S. Giovanni (Pg), 1988, pp. 123-128.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Chi delfino, chi umano<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Gaia Studio Galleria d\u2019Arte Contemporanea, Faenza, Edizioni Gaia Studio, Faenza (Ra), 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1987<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Giardini d\u2019acque<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Palazzo Re Enzo, 1-11 October 1987, Arti Grafiche Tamari, Bologna, 1987.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Sulle orme di Orleo. I celebranti nel tempo e nella cripta del paladino<\/span><\/i><span style=\"font-weight: 400;\">, con la collaborazione di A. Ereotti, Interbooks, Padova, 1987.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Design. International Centre of Studies and Experimentation on Ceramics<\/span><\/i><span style=\"font-weight: 400;\">, Cooperativa Ceramica, Imola (Bo), 1987.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1986<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">The 1st International Ceramics Contest \u201986. Mino. Japan<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Tajimi City, Special Exhibition Hall, 2-9 November 1986, Dai Nippon Printing, Mino (Japan), 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Oltre il paesaggio<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Grizzana Morei, Sala mostre municipale, 27 July-14 September 1986, Tipografia Zanini, Bologna, 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. M. PRINA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Il tempo abitato<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Verona, Abitare il tempo, 8-12 May 1986, Grafis Edizioni, Casalecchio di Reno (Bo), 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">2\u00b0 Rassegna Internazionale di Ceramica<\/span><\/i><span style=\"font-weight: 400;\">, Bologna, Artefiera, May 1986, Centro Internazionale di Studi and Sperimentazione sulla Ceramica, Imola (Bo), 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Giampaolo Bertozzi, Stefano Dal Monte Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Centro internazionale di studi and sperimentazione sulla ceramica<\/span><\/i><span style=\"font-weight: 400;\">, Imola, text by G. DORFLES, Tipografie Imolagrafiche, Imola (Bo), 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Contemporary Italian Ceramic Art Exhibition<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue itinerante, Tokyo, Kanagawa, Osaka, The Asahi Shimbum, Tokyo, 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. M. PRINA (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Nouvel eclectisme<\/span><\/i><span style=\"font-weight: 400;\">, Ente Fiera Verona, Verona, 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, texts by F. SOLMI, Y. INUI, Seibu, Tokyo, 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Onda nuova di arte decorativa contemporanea, Asahi, Kanagawa, 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1985<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Cravatta al museo. Una collezione in \u201cterzo fuoco\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramic Tiles Fashion. Moda della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, Faenza editrice, Faenza (Ra), 1985, pp. 42-46.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Protagonisti del 2000. Manifestazioni internazionali della ceramica d\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, Tipografia Morei, Fusignano (Ra), 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. VANNUCCI,<\/span><i><span style=\"font-weight: 400;\">\u00a0Omaggio a Dino Campana<\/span><\/i><span style=\"font-weight: 400;\">. Mostra al castello Pasquini, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Premio Letterario Castiglioncello. VIII Edizione<\/span><\/i><span style=\"font-weight: 400;\">, Tipografia O. Debatte &amp; Figli, Livorno, 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1983<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Feticci provvisori<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, 5 October-3 November 1983, Centro Sala, Modena, 1983, pp. 12-13, pp. 41-42.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI, R. BARILLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019informale in Italia<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue dedicata a Francesco Arcangeli, Bologna, Galleria d\u2019arte moderna, June-September 1983, Nuove Edizioni Gabriele Mazzotta, Milano, 1983, pp. 293, 351.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Terra d\u2019Italia<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Ancona, Palazzo Bosdari, 28 May-30 June 1983, Grafis Industrie Grafiche, Casalecchio di Reno (Bo), 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI, M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica. Antecedenti, attualit\u00e0, prospettive<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Cattolica, Galleria comunale S. Croce, 21 May-27 September 1983, Grafis Industrie Grafiche, Casalecchio di Reno (Bo), 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Aspetti della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Ferrara, Palazzo Massari, 24 April-15 May 1983, Grafis Industrie Grafiche, Casalecchio di Reno (Bo), 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Ars decorativa<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Galleria Mayre; Arte Fiera 83, March 1983, Grafis Industrie Grafiche, Casalecchio di Reno (Bo), 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica (Nuova)<\/span><\/i><span style=\"font-weight: 400;\">, in M. VENTUROLI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019immagine diversa<\/span><\/i><span style=\"font-weight: 400;\">, catalogo della Trentaseiesima mostra di pittura Francesco Paolo Michetti, Fondazione Michetti, Francavilla al Mare (Pu), 1983.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Giampaolo Bertozzi, Stefano Dal Monte Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Raffaello cinquecento anni dopo<\/span><\/i><span style=\"font-weight: 400;\">, Bonaparte, Milano, 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BARILLI, F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Stefano Dal Monte Casoni e Giampaolo Bertozzi<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019Informale in Italia<\/span><\/i><span style=\"font-weight: 400;\">, Mazzotta, Milano, 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1982<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI, M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Suzzara (Mn), Galleria d\u2019Arte Contemporanea, 15 December 1982-16 January 1983, \u00a0Mantova, 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica. Impercettibili confini<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Centro Mascarella Arte Ricerca, 14-31 October 1982, Bologna, 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. AVANZO (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, pieghevole della mostra, Bologna, Galleria d\u2019Arte \u201cIl 2 di Quadri\u201d, 22 May-19 June 1982, Bologna, 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bolaffi. Catalogo della scultura italiana<\/span><\/i><span style=\"font-weight: 400;\">, n. 6, Ages per Mondadori and Associati, Torino, 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Faenza \u201982. Il primato dell\u2019artista<\/span><\/i><span style=\"font-weight: 400;\">, Tipografia Artigiana, Castelbolognese (Ra), 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Bologna, Galleria comunale d\u2019arte moderna, 4 February 1982, Bologna 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B<\/span><i><span style=\"font-weight: 400;\">ertozzi Giampaolo-Dal Monte Casoni Stefano<\/span><\/i><span style=\"font-weight: 400;\">, in C<\/span><i><span style=\"font-weight: 400;\">atalogo della scultura italiana<\/span><\/i><span style=\"font-weight: 400;\">, Gruppo Giorgio Mondadori, Bolaffi, 1982, n. 6, p. 18.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1981<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">13a Biennale Internazionale del Bronzetto Piccola Scultura<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Padova, Museo Civico agli Eremitani, November 1981-January 1982, Italgraf, Noventa (PD), 1981.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">La compagnia del cenacolo (La nuova ceramica)<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Firenze, Galleria d\u2019Arte Palazzo Vecchio, 17 January-5 February 1981, T.A.F., Firenze, 1981.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Per grazia ricevuta<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Manifestazioni espositive della settimana vaianese<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Comune di Vaiano, 28 June-12 July 1981, Tipografia Betti, Vaiano (Po), 1981.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Giampaolo Bertozzi, Stefano Dal Monte Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">13a Biennale Internazionale del Bronzetto Piccola Scultura<\/span><\/i><span style=\"font-weight: 400;\">, Italgraf Noventa, Padova, 1981.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1980<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G.C. BOJANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Presentazione<\/span><\/i><span style=\"font-weight: 400;\">, in\u00a0<\/span><i><span style=\"font-weight: 400;\">Quattro esperienze, un materiale<\/span><\/i><span style=\"font-weight: 400;\">, pieghevole di mostra, Modena, Galleria d\u2019arte \u201cL\u2019Incontro\u201d, 20 December 1980-10 February 1981, Galleria d\u2019arte \u201cL\u2019Incontro\u201d, Modena, 1980.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">38\u00b0 Concorso Internazionale della Ceramica d\u2019Arte-Faenza<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Faenza, Palazzo delle Esposizioni, 27 July-5 October 1980, Grafiche Galeati, Imola (Bo), 1980, pag. 28.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI (edited by),\u00a0<\/span><i><span style=\"font-weight: 400;\">Il lavoro felice. Undici artisti romagnoli<\/span><\/i><span style=\"font-weight: 400;\">, exhibition catalogue, Faenza, Palazzo delle Esposizioni, 16 November-8 December 1980, Grafica Artigiana, Castelbolognese (Ra), 1980.<\/span>[\/tm_accordion_tab_item][tm_accordion_tab_item textarea_html_bkg_color=&#8221;#ffffff&#8221; title=&#8221;PERSONAL AND GENERAL ARTICLES&#8221; accordion_id=&#8221;0b8808f6-0327-5&#8243;]<strong>2017<br \/>\n<\/strong><i><span style=\"font-weight: 400;\">System dona alla citt\u00e0 un museo dedicato alla ceramica nell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 5 December 2017, p. 15.<br \/>\n<\/span>A. BRIGANTE, <i>Un nuovo museo per Bertozzi &amp; Casoni<\/i>, in \u201cArte\u201d, December 2017, p. 14.<br \/>\nS. LUPPI, <i>I big della ceramica Bertozzi &amp; Casoni aprono il loro museo<\/i>, in \u201cGazzetta di Modena\u201d, 30 November 2017, pp. 44.<br \/>\n<i><span style=\"font-weight: 400;\">Minimi Avanzi per 13mila. Doppio evento di chiusura<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, Ascoli, 14 September 2017, p. 10.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Gli irriverenti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCase &amp; Stili\u201d, September 2017, p. 9.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSegno\u201d, July 2017, p. 80.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Minimi avanzi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cPlein Air\u201d, June 2017.<br \/>\n<\/span>C. VANZETTO, L\u2019arte sfida la corruzione, in \u201cCorriere della sera\u201d, sabato 8 April 2017, p. 11.<br \/>\n<i><span style=\"font-weight: 400;\">Il cibo si fa arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cViver sani e belli\u201d, 30 March 2017, p. 14.<br \/>\n<\/span>L. CAPPELLI, <i>\u201cMinimi avanzi\u201d di Bertozzi &amp; Casoni. La grande ceramica in mostra<\/i>, in \u201cIl Resto del Carlino, 25 March 2017, p. 4.<br \/>\nF. FERRETTI, <i>L\u2019arte diventa il grimaldello per rompere l\u2019isolamento<\/i>, in \u201cCorriere Adriatico\u201d, Ascoli Piceno, 25 March 2017, p. 7.<br \/>\nA. TREVISANI, <i>Avanzi di cibo (in ceramica) e cena-gourmet (dal vivo)<\/i> in \u201cCorriere della Sera\u201d, La Lettura, 19 March 2017, p. 39.<br \/>\nN. BALLARIO, <i>Bertozzi &amp; Casoni. Scarti di ceramica<\/i>, in \u201cRolling Stone\u201d, n. 3, March 2017, p. 50.<br \/>\nA. BALDONI, <i>Le vanitas di Bertozzi &amp; Casoni<\/i>, in \u201cArte\u201d, March 2017, p. 28<br \/>\nL. CAPPELLI, <i>Bertozzi &amp; Casoni: ceramiche protagoniste<\/i> in \u201cIl Resto del Carlino\u201d, Ascoli, 18 March 2017, p. 26.<br \/>\n<span style=\"font-weight: 400;\">\u201cIl Giornale dell\u2019Arte\u201d, n. 371, January 2017, p. 7.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ceramisti e chef per la rinascita<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere Adriatico\u201d, Ascoli Piceno, 9 January 2017, p. 7.<br \/>\n<\/span><b>2016<br \/>\n<\/b><i><span style=\"font-weight: 400;\">La sculpture peinte de Bertozzi et Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa revue de la ceramique et du verre\u201d, n. 211, November-d\u00e9cembre 2016, pp. 28-29.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Gli Arcimboldi della ceramica <\/span><\/i><span style=\"font-weight: 400;\">in \u201cIl Giornale dell\u2019Arte\u201d, November 2016, p. 63.<br \/>\n<\/span>S. GUIDONI<i>, Ceramiche e avanguardia. Indagine tra estetica e rifiuti<\/i>, in \u201cQN Quotidiano Nazionale\u201d, 11 October 2016, p. 34.<br \/>\n<i><span style=\"font-weight: 400;\">Il Capitale Umano di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, October 2016, p. 148<br \/>\n<\/span>A. SAVINI<i>, La desolazione dell\u2019orso polare<\/i>, in \u201cGiornale di Massa\u201d, October 2016.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Il Capitale Umano tra consolazioni e desolazioni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cStartup\u201d, October 2016, pp. 96-103.<br \/>\n<\/span>S. LUPPI, <i>Cacciando arazzi ho trovato artisti<\/i>, In \u201cVedere in Emilia-Romagna\u201d, n. 4, October\/December 2016, supplemento a \u201cIl Giornale dell\u2019Arte\u201d, n. 368, October 2016, p. 7<br \/>\n<i><span style=\"font-weight: 400;\">L\u2019arte di Bertozzi &amp; Casoni ad Ascoli Piceno<\/span><\/i><span style=\"font-weight: 400;\"> in \u201cMondo Lavoro\u201d, September 2016, pp. 140-141.<br \/>\n<\/span>C. SERRI, <i>Il tessile \u00e8 antico come il marmo\u201d<\/i>, in \u201cEspoarte\u201d, n. 4 September 2016<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Il Capitale Umano. Tra consolazioni e desolazioni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, September 2016, p. 31<br \/>\n<\/span>C. SERRI, <i>Il Capitale Umano. Bertozzi &amp; Casoni tra \u201cconsolazioni e desolazioni\u201d<\/i>, in \u201cEspoarte digital\u201d, September 2016.<br \/>\nS. LUPPI, <i>L\u2019orso filosofo. Le nuove ceramiche di<\/i> <i>Bertozzi &amp; <\/i>Casoni, in \u201cIl Giornale dell\u2019Arte\u201d, September 2016.<br \/>\nS. LUPPI, <i>Bertozzi &amp; Casoni: la ceramica d\u00e0 vita all\u2019agonismo della lotta<\/i>, in \u201cGazzetta di Modena\u201d, 17 September 2016.<br \/>\nM. FUOCO, <i>Dall\u2019epopea futurista alle foto d\u2019autore. Il progresso si fa arte<\/i>, in \u201cGazzetta di Modena\u201d, 16 September 2016, pp. 14-15.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Il Capitale Umano. Tra consolazioni e desolazioni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere di Bologna\u201d, 14 September 2016.<br \/>\n<\/span>L. MONTANARI, <i>L\u2019uomo contro la natura: il simbolo dell\u2019orso<\/i>, in \u201cLa Repubblica\u201d, 11 September 2016, p. 61.<br \/>\n<i><span style=\"font-weight: 400;\">Non solo mare: l\u2019estate siciliana \u00e8 all\u2019insegna dell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSky Arte\u201d, 15 August 2016.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ceramiche artigianali: il tesoro di Vallauris in mostra<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVille &amp; Casali\u201d, 2 August 2016.<br \/>\n<\/span>M. BRUNA, <i>Il Pinocchio invecchiato del duo Bertozzi &amp; Casoni<\/i>, in Corriere della Sera\u201d, 12 June 2016, p. 35.<br \/>\n<i><span style=\"font-weight: 400;\">Le sculture di Bertozzi e Casoni alla Gam di Palermo<\/span><\/i><span style=\"font-weight: 400;\"> in \u201cPalermomania\u201d, 12 June 2016.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il meglio della scultura ceramica contemporanea in mostra alla Gam di Palermo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTNS Sicilia\u201d, 11 June 2016.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Gam, Bertozzi &amp; Casoni rivisitano la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGiornale di Sicilia\u201d, 10 June 2016.<br \/>\n<\/span>M. AMORE, <i>Bertozzi &amp; Casoni a Palermo. Alla Galleria d\u2019Arte Moderna una mostra presenta 12 sculture recenti realizzate da due tra i pi\u00f9 riconosciuti maestri della scultura ceramica contemporanea<\/i>, in \u201cLa Stampa\u201d, 10 June 2016.<br \/>\nF. PINI, <i>Bertozzi &amp; Casoni<\/i>, in \u201cSette\u201d, Corriere della Sera, 10 June 2016, n. 23, p. 102.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa\u201d, 4 June 2016, p. 28.<br \/>\n<\/span><span style=\"font-weight: 400;\">E. GRAVAGNUOLO<\/span><span style=\"font-weight: 400;\">,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. La poesia dell\u2019impossibile<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 393, May 2006, copertina e pp. 148-153.<br \/>\n<\/span>J. MANNINO, <i>Bertozzi &amp; Casoni Art Gallery<\/i>, in \u201cFlo\u2019 in the go\u201d, 6 April 2016<br \/>\n<i><span style=\"font-weight: 400;\">Borse irrealiste, sedie elettriche chic. Le Stagioni ironiche di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Nazione\u201d, 1 April 2016.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni, il riciclo \u00e8 un\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Nazione\u201d, 29 March 2016.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Stagioni, la ceramica di Bertozzi &amp; Casoni in mostra a Firenze<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica Firenze\u201d, 16 March 2016.<br \/>\n<\/span>S. LUPPI, <i>Documentarsi sulle arti in Romagna dal Novecento<\/i>, in \u201cIl Giornale dell\u2019Arte\u201d, 11 February 2016.<br \/>\n<i><span style=\"font-weight: 400;\">Dal Boetto milionario agli emergenti. Caccia all\u2019affare dell\u2019anno<\/span><\/i><span style=\"font-weight: 400;\"> in \u201cCorriere di Bologna\u201d, 29 January 2016, p. 3.<br \/>\n<\/span><b>2015<br \/>\n<\/b>A. Boriani, <i>Bertozzi &amp; Casoni premiati con il \u201cMargherita Hack 2015\u201d<\/i>, in &#8220;L&#8217;impresa metropolitana&#8221;, n. 2\/2015, December, p. 14<br \/>\n<i><span style=\"font-weight: 400;\">Alla Claudio Poleschi Arte Contemporanea la mostra di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLucca in diretta\u201d, 23 October 2015.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Spoleto il Premio Margherita Hack 2015<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSpoleto Oggi\u201d, 19 June 2015.<br \/>\n<\/span>A. BORIANI, <i>Gli artisti imolesi Bertozzi &amp; Casoni danno vita alle teste di Arcimboldo<\/i>, in &#8220;L&#8217;impresa metropolitana&#8221;, n. 1\/2015, April, pp. 12-13.<br \/>\nF. GIULIANI, <i>Bertozzi &amp; Casoni-\u201cNon ricordo\u201d<\/i>, in \u201cGiornale del Garda\u201d, 26 March 2015.<br \/>\n<i><span style=\"font-weight: 400;\">A Palazzo Martinengo di Brescia una mostra dedicata al cibo nell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa\u201d, 14 January 2015.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il cibo nell\u2019arte: dal Seicento a Warhol, capolavori in mostra a Brescia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Fatto Quotidiano\u201d, 7 January 2015.<br \/>\n<\/span><b>2014<br \/>\n<\/b><i><span style=\"font-weight: 400;\">La mostra delle meraviglie<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere Romagna\u201d, 12 November 2014.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">L\u2019arte in Romagna \u00e8 dal vero<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 7 November 2014.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Da Sughi a Moreni e Ugonia \u00e8 in mostra l&#8217;Arte dal Vero<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRomagna noi\u201d, 7 November 2014.<br \/>\n<\/span><span style=\"font-weight: 400;\">G. ZACCHERINI, <\/span><i><span style=\"font-weight: 400;\">Arte dal Vero<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cWall Street International\u201d, November 2014.<br \/>\n<\/span>P. CAPELLI e G. SCARDI, <i>Bertozzi &amp; Casoni. Dove Come Quando<\/i>, in &#8220;Elle&#8221;, August 2014.<br \/>\nM. MORI, <i>Inganni visivi. Visual Illusions<\/i>, in &#8220;ArteiN&#8221;, August 2014.<br \/>\nS. BUCCI, <i>Il mio corpo \u00e8 una giraffa<\/i>, in &#8220;Corriere della Sera, 27 July 2014.<br \/>\n<i><span style=\"font-weight: 400;\">A Palazzo Te gli inganni visivi delle ceramiche di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;La Voce di Mantova&#8221;, 26 July 2014.<br \/>\n<\/span>F. CAPUTO, <i>Bertozzi &amp; Casoni. Ironiche visioni dell&#8217;avventura umana<\/i>, in &#8220;Espoarte&#8221;, July 2014.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Dove Come Quando<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Art&amp;Art&#8221;, July 2014.<br \/>\n<\/span>L. DI MARCO, <i>Bertozzi &amp; Casoni. Dove Come Quando<\/i>, in &#8220;A. Casa&#8221;, July 2014.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Dove Come Quando<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Specchio economico&#8221;, July 2014.<br \/>\n<\/span>V. AGO, <i>Bertozzi &amp; Casoni la maiolica d&#8217;arte invade Palazzo Te<\/i>, in &#8220;Libero&#8221;, 26 June 2014.<br \/>\nM. MOJANA, <i>Calendart<\/i>, in &#8220;Il Sole 24 ore&#8221;, 8 June 2014.<br \/>\nP. ARTONI, <i>Con Bertozzi &amp; Casoni la ceramica diventa un&#8217;ironica vanitas<\/i>, in &#8220;La voce di Mantova&#8221;, 7 June 2014.<br \/>\n<i><span style=\"font-weight: 400;\">Dal 7 June le sculture di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Reporter Mantova&#8221;, 6 June 2014.<br \/>\n<\/span>F. PINI, <i>Bertozzi &amp; Casoni<\/i>, in &#8220;Corriere della Sera&#8221;, 6 June 2014.<br \/>\n<i><span style=\"font-weight: 400;\">Skulpturen von Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Tessiner Zeitung&#8221;, 6 June 2014.<br \/>\n<\/span>L. DE LAURENTIS, <i>Ceramiche d&#8217;autore<\/i>, in &#8220;Viversani e belli&#8221;, 6 June 2014.<br \/>\nC. GATTI, <i>Teatrini iperreali tra ecologia e follia<\/i>, in &#8220;La Repubblica&#8221;, 5 June 2014.<br \/>\n<i><span style=\"font-weight: 400;\">Ceramiche da Te. Bertozzi &amp; Casoni nel palazzo dei Gonzaga<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Il Giornale dell&#8217;Arte&#8221;, June 2014.<br \/>\n<\/span>M. BREVI, <i>Le ceramiche delle finzioni meravigliose<\/i>, in &#8220;Arte&#8221;, June 2014, pp. 93-97.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Dove Come Quando<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Il turismo culturale&#8221;, June 2014.<br \/>\n<\/span>A. SAVINI, <i>Ecco come, dove e quando<\/i>, in &#8220;Giornale di massa&#8221;, June 2014.<br \/>\n<i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni in arrivo a Palazzo Te<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;La Voce di Mantova&#8221;, 1 June 2014.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Quelle sculture ingannano. A Palazzo Te le ceramiche policroma di Bertozzi &amp; Casoni, tra le invenzioni pi\u00f9 stupefacenti e innovative degli ultimi decenni<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Il Giornale dell&#8217;Arte&#8221;, May 2014.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Lucidi inganni<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Grazia Casa&#8221;, May 2014.<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni da June a palazzo Te<\/span><\/i><span style=\"font-weight: 400;\">, in \u201dGazzetta di Mantova\u201d, 8 April 2014, p. 27.<br \/>\n<\/span><b><span style=\"font-weight: 400;\">R. QUATTRONE, <\/span><i><span style=\"font-weight: 400;\">Modernit\u00e0 e campo dell\u2019arte: \u00e8 tempo di rinascite e rigenerazioni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cEQUIP\u00e8CO, a. XI, n. 39, pp. 36-40.<br \/>\n<\/span><\/b><b><\/b><b><\/b><b>2013<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">B. BUSCAROLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Scherzi di fuoco. La sfida di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 479, July 2013, pp. 118-123.<\/span><b><br \/>\n<\/b><span style=\"font-weight: 400;\">M. BREVI,\u00a0<\/span><i><span style=\"font-weight: 400;\">A Palazzo della Penna l\u2019arte \u00e8 di parola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 477, May 2013, p. 32.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Contrasti. Dialoghi dal figurativo al concettuale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 477, May 2013, p. 35.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Timeless &amp; developed, in \u201cResidence\u201d, 31 mrt 2013, p. 147.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. STAFFHORST,\u00a0<\/span><i><span style=\"font-weight: 400;\">Noem het geen kitsch<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDe Telegraaf\u201d, 18 mrt 2013, p. 13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. KOOKE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Allemaal van aardewerk. De thema\u2019s van het Italiaanse kunstenaarsduo Bertozzi &amp; Casoni? Vergankelijkheid, vervuiling, overconsumptie. Met een snufje religie<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTrouw\u201d, 4 mrt 2013, p. 31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. LAITEMPERGHER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Timeless<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cMuseum Beelden aan Zee\u201d, n. 10, Najaar 2013, pp. 4-5.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. GONZALEZ,\u00a0<\/span><i><span style=\"font-weight: 400;\">Sch\u00f6nheit aus dem Chaos der Dinge<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cWeltkunst\u201d, n. 70, M\u00e4rz 2013, p. 51-57.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. VAN FAASSEN,\u00a0<\/span><i><span style=\"font-weight: 400;\">De natuur en de dingen schitteren in het licht van de kunst<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDen Haag Centraal\u201d, 22 feb 2013, p. 14.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. SERRI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cImprenditori\u201d, n. 151, February 2013, pp. 44-47.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MINNUCCI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Regeneration<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSegno\u201d, n. 243, January-February 2013, pp. 30-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">H. ROSENBERG, Toneelstukjes in keramiek uit Itali\u00eb, in \u201cAD Haagsche Courant ed. Den Haag Stad\u201d, 29 jan 2013, p. 39.<\/span><b><br \/>\n<\/b><b>2012<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Regeneration<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica\u201d, n. 15, December 2012, pp. 6-13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T.I. SOPHOCLEOUS CHRISTOU,\u00a0<\/span><i><span style=\"font-weight: 400;\">All Visual Arts: Bertozzi &amp; Casoni. Regeneration<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArt Wednesday\u201d, October 22nd, 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Regeneration<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTime Out London\u201d, October 9-15, n. 2199, 2012, p. 59.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">London Updates: la nuova vita, anzi la Regeneration di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">. Tante immagini per l\u2019anteprima della mostra alla All Visual Arts Gallery, in \u201cArtribune\u201d, 8 October 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">POPism. L\u2019arte in Italia dalla teoria dei mass media ai social network<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBed-and-breakfast.it\u201d, 9 August 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">63\u00b0 Premio Michetti. POPism. L\u2019arte in Italia dalla teoria dei mass media ai social network<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbruzzo News 24\u201d, 9 August 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">POPism. L\u2019arte in Italia dalla teoria dei mass media ai social network<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cEspoarte\u201d, 2 August 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Casoni, lo stupore del reale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica Moderna &amp; Antica\u201d, n. 277-278, January-August 2012, pp. 14-16.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">POPism. L\u2019arte in Italia dalla teoria dei mass media ai social network<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBit Cultural\u201d, 24 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. GHERARDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Popism, il Premio Michetti attraversa due generazioni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Centro. Pescara\u201d, 23 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. RENELLA,\u00a0<\/span><i><span style=\"font-weight: 400;\">La mostra Popism decreta il grande successo della sessantatreesima edizione del Premio Michetti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbruzzoQuotidiano.it\u201d, 23 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">POPism. L\u2019arte in Italia dalla teoria dei mass media ai social network<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cartapartofcult(ure)\u201d, 21 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Pop e fluida, l\u2019arte al tempo di Twitter<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cil Giornale.it\u201d, 20 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">POPism. L\u2019arte in Italia dalla teoria dei mass media ai social network. Apre la 63\u00b0 edizione del Premio Michetti,<\/span><\/i><span style=\"font-weight: 400;\">in \u201cAise agenzia internazionale stampa estero\u201d, 17 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. MALAVEDA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Dalla teoria dei mass-media ai social: in mostra l\u2019evoluzione dell\u2019arte contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFrontierenews.it\u201d, 12 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. CARNAGHI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Della similitudine icastica e sublime in \u201cUltrafilosofia\u201d<\/span><\/i><span style=\"font-weight: 400;\">, 9 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Francavilla c\u2019\u00e8 il Popism<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbruzzo Indipendent\u201d, 5 July 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Manzoni, mostra-evento aperta a palazzo Barb\u00f2<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Provincia\u201d, gioved\u00ec 28 June 2012.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S.U.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Piero Manzoni torna a casa. L\u2019oMay nel festival della Valle dell\u2019Oglio<\/span><\/i><span style=\"font-weight: 400;\">, Odissea 2012, in \u201cCorriere della Sera\u201d, marted\u00ec 26 June 2012, pag. 17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. BELOTTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Linee e corpi d\u2019aria, a Palazzo Barb\u00f2 si ricorda il genio di Piero Manzoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cPianura Romano\u201d, 22 June 2012, p. 11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Nelle terre di Piero<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cUndo.Net\u201d, 22 June 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Nelle terre di Piero<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtribune\u201d, 21 June 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. SALA,\u00a0<\/span><i><span style=\"font-weight: 400;\">POPism<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSegno\u201d, 13 June 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. GUALDONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Lo scultore, la terra<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica in Italia e nel mondo\u201d, 13 June 2012, p. 23.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. PLUCHINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Duo delle meraviglie che dagli anni Ottanta ad oggi ha sviluppato uno stile arcano e grottesco<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Artship\u201d, February-March 2012, p. 17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ai Weiwei Doors, Saintly Gorilla, Sad Medici, Spy Cams: Hot Art<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBloomberg\u201d, 8 February 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. DE VENERE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Da Pascali a Bertozzi &amp; Casoni passando per Polignano<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtribune\u201d, 12 January 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Dinner at Bertozzi and Casoni Studio<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtnesia\u201d, 31 January 2012.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2011<br \/>\n<\/b><b><\/b><span style=\"font-weight: 400;\">L. MENEGHELLI,<\/span><i><span style=\"font-weight: 400;\">\u00a0Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, December 2011-January 2012.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. LORET,\u00a0<\/span><i><span style=\"font-weight: 400;\">Farandole fatale \u00e0 la Maison rouge<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLiberation\u201d, 24\/25 Decembre 2011, pp. 20-23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Le ceramiche della meraviglia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 460, December 2011, pp. 106-110.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. FOSSA MARGUTTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Pasta alla Disney con ironia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGlamour\u201d, n. 238, December 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. FUMAGALLO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Fiabe tra gli scarti della civilt\u00e0<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Manifesto\u201d, 9 December 2011. \u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. FONTANESI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Le Disgrazie di Bertozzi &amp; Casoni che fanno felice Verona<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale\u201d, 27 November 2011, p. 29.<\/span><i><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/i><i><span style=\"font-weight: 400;\">Exposure<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramics Monthly\u201d, vol. 59, n. 9, November 2011, p. 24.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. TANSINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Italian Sculpture of the XXI Century<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSculpture\u201d, Vol. 30, No. 9, November 2011, p. 71.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BRANZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Addio telefoni bianchi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cInterni\u201d, n. 11, November 2011, pp. 42-45.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. ZUCCARI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Disastri &amp; Bellezze. Vanitas, ironia e artificio, iperrealismo e surrealismo. Tutto con la ceramica, \u201cfonte di meraviglia\u201d per il duo d\u2019artisti\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cInside Art\u201d, a.8, n. 81, November 2011, pp. 22-27.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Sintesi di disastri e bellezze<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVille &amp; Casali\u201d, November 2011, p. 10-11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MARINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Premio Pascali. L\u2019arte dei rifiuti urbani firmata Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 29 October 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. MARINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019oscenit\u00e0 curata con la meraviglia. Al duo Bertozzi &amp; Casoni il \u201cPremio Pascali 2011\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Gazzetta del Mezzogiorno\u201d, 29 October 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. RUGGIERO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Premio Pascali, stasera la consegna. La XVI edizione a Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cI fatti della settimana\u201d, 29 October 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni espongono nuove opere. DisGrazie veronesi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere Romagna\u201d, 29 October 2011, p. 31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. DI TURSI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Premio Pascali 2011. In mostra i vincitori Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere del Mezzogiorno\u201d, 28 October 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. MODUGNO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il Pascali premia la ceramica iper-realista di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBlu\u201d, 28 October 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni vincitori del Premio Pascali XIV edizione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa vipera\u201d, a. I, n. 16, 14 October 2011.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. COLASANTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Finch\u00e8 c\u2019\u00e8 vita (tra i rifiuti) c\u2019\u00e8 speranza<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Fatto Quotidiano\u201d, 6 October 2011, p. 15.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MARINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Premio Pascali a Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 4 October 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Per disgrazia ricevuta<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, October 2011, p. 85.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">O. MAZZOLA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Inevitabili disgrazie<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cInside Art\u201d, October 2011, p. 10.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Le \u201cDisgrazie\u201d di Bertozzi &amp; Casoni in mostra da oggi a Verona<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVerona Citt\u00e0\u201d, 30 September\/7 October 2011, pp.6\/7.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Le \u201cdisgrazie\u201d di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino, 29 September 2011.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. CASTELLARI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Forme di natura morta<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 457, September 2011, p. 129.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Rendez-vous. Disgrazie. Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cUniversit\u00e0 aperta. Terza pagina\u201d, August-September 2011.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. GIORGI,\u00a0<\/span><i><span style=\"font-weight: 400;\">54\u00b0 Esposizione Internazionale d\u2019Arte. I romagnoli alla Biennale di Sgarbi. Generazioni a confronto<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere Romagna\u201d, 29 May 2011, p. 27.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. BASSI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Mostruose meraviglie<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera due\u201d, 12 March 2011, n. 11, p. 3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">\u201cNotizie. Fondazione Cassa di Risparmio di Imola\u201d<\/span><\/i><span style=\"font-weight: 400;\">, March 2011, copertina.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Le grandi sculture in ceramica di fama internazionale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVernissage\u201d, a. XII, n. 122, January 2011, p. 3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Umor nero al forno e a colori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVernissage\u201d, a. XII, n. 123, February 2011, pp. 12-13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2010<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PADERNI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Le bandiere della fortuna<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XLIV, n. 289, December 2010-January 2011, p. 95<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. PELLERANO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni, un viaggio (artistico) fino a New York<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere di Bologna\u201d, 23 September 2010, p. 19.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 444, August 2010, p. 38.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">2 sedie elettriche<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere di Bologna\u201d, 6 June 2010, p. 14.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ditelo con le margherite<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 22 May 2010, p. 29.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C.A. BUCCI,\u00a0<\/span><i><span style=\"font-weight: 400;\">I fantanimali di De Chirico &amp; Co ispirati al Medioevo e a Borges<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Venerd\u00ec di Repubblica\u201d, n. 1148, 19 March 2010, pp. 92-93.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Art for two. Ceramisti anticonformisti Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cElle\u201d, March 2010, p. 44, p. 374.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MARTINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">MIC in crescita<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, n. 296, March 2010, p. 46.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. LUPPI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ripresa? Ma qui un vero stop non c\u2019\u00e8 mai stato<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, n. 296, March 2010, p. 71.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MARTINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Lo Sgarbo di Bondi ai \u201cdegenerati\u201d contemporanei<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, n. 295, February 2010, p. 10.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. LASTER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Intervallo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTime OUT New York\u201d, February 18-24 2010, issue 751, p. 45.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La Biennale nel 2010\u2026<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExibart.onpaper\u201d, a. IX, n. 63, January-February 2010, p. 78<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Living Ceramics<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramics Art and Perception\u201d, issue 82, 2010, pp. 64-67.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">On Ceramic Arts and the Venice Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramics Art and Perception\u201d, issue 81, 2010, pp. 98-101.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Casoni: perfezioni esecutive al servizio del dubbio<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRivista del Museo delle Arti Applicate di Belgrado\u201d, n. 6, 2010, pp. 145-153.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">H. FAILONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Brown, un palato per l\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere di Bologna\u201d, 30 January 2010, p. 21.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2009<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni alla Biennale di Venezia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale della Ceramica\u201d, allegato de \u201cIl Giornale dell\u2019Arte\u201d, December 2009, p. 1.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. BRUGNOTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">El realismo del imposible. Las cer\u00e1micas de bertozzi y casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramica\u201d, n. 115, 2009, pp. 81-86.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. BRUGNOTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Ceramica a vostra immagine e somiglianza<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArteg\u00eca\u201d, n. 4, 2009, pp. 6-8.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. DI PERSIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Artigianato versus Arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDesign +\u201d, n. 2, October 2009, pp. 31-33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">L\u2019arte di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte-Scuola. Rotary Club di Imola. Azione culturale a favore del territorio\u201d, IV ed., 2009-2010.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. DALL\u2019ARA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Costruire la forma. Gli imolesi Bertozzi e Casoni espongono alla Biennale di Venezia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, n. 33, 29 August 2009, p. VII.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni alla Biennale di Venezia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica moderna e antica\u201d, a. XXX, n. 10\/12, 2009, pp. 45-46.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BARILLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019Italia a met\u00e0 della Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Unit\u00e0\u201d, 13 June 2009, p. 42.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Diario della Biennale. Sorrisi e pugnalate alla schiena in laguna<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLibero\u201d, 11 June 2009, pp. 36-37.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">N. ASPESI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gli specchi rotti della Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 4 June 2009, p. 41.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BURINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni alla Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAssimprese News\u201d, n. 1, May 2009, p. 5.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MUGNAINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, April-May 2009.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. DI MARZIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Torna l\u2019arte che si fa capire<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale\u201d, 20 March 2009, p. 33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. TAGLIABUE, Collaudi d\u2019artista, in \u201cIl Sole 24 ore\u201d, 19 March 2009, pp. 20-21.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L.P., F.F.,\u00a0<\/span><i><span style=\"font-weight: 400;\">La lista di B&amp;B<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, a. XXVII, n. 285, March 2009, p. 17, pp. 22-23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">AD.M.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Attenti al gorilla<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVernissage\u201d, a. X, n. 102, March 2009, p. 22.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Da Caravaggio al reality show<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica delle Donne\u201d, a.14, n. 633, 21 March 2009, pp. 120-126.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Italia s\u00ec, Italia no, Italia boh<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XLII, n. 274, February-March 2009, pp. 58-60.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Casoni sbarcano alla Biennale di Venezia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl nuovo diario messaggero\u201d, 28 February 2009, p. 23.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. CAVINA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. I due artisti imolesi esporranno alla Biennale. Venezia \u00e8 come Sanremo per un cantante<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere di Bologna\u201d, 25 February 2009, p. 12.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. DIEZ,\u00a0<\/span><i><span style=\"font-weight: 400;\">Inchiesta scultura<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, February 2009, pp. 78-85.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. FANELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">\u201cBBBiennale\u201d precedenza a destra<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte Contemporanea\u201d, XIII ed., allegato de \u201cIl Giornale dell\u2019Arte\u201d, n. 284, February 2009, p. 4.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtshow.it\u201d, February 2009, p. 1.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExibart.onpaper\u201d, II, n. 55, January-February 2009, p. 5.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. TORRESIN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Battere la crisi. L\u2019attacco delle gallerie<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 16 January 2009, pp. 40-41.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. AGUDIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Fragili indizi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtedossier\u201d, n. 251, January 2009, p. 31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. PARMESIANI, C. BERIOLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Artificio e natura<\/span><\/i><span style=\"font-weight: 400;\">, Galleria Armony Arte, Spazio Contemporaneo, Perugia 2009.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2008<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BERTONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni \u201cNulla \u00e8 come appare. Forse\u201d: una mostra d\u2019eccezione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFaenza\u201d, a. XCIV, fasc. I-VI, 2008, pp. 123-128.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BOVINA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica contemporanea: ma dove va?<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, speciale September-December 2008, a. XXIX, n. 8\/9, 2008, pp. 26-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. CRISPOLTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">I trionfi della civilt\u00e0. Bertozzi &amp; Casoni celebrano le incongruenze del nostro tempo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAD\u201d, n. 329, October 2008, p. 80<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. PASOLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni, il doppio della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCer\u201d, September-October 2008, pp. 164-167.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Casoni, consumismo e decadenza<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 27 September 2008, p. 13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BARILLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Che spettacolo quella spazzatura di ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Unit\u00e0\u201d, 17 August 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. PATAN\u00c8,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramiche d\u2019autore. Se scheletri e rifiuti riprendono vita e diventano arte. Le originali opere di Giampaolo Bertozzi e Stefano Casoni, estrosi ceramisti a Imola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere Romagna\u201d, 13 August 2008, p. 32.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">N. COBOLLI, L. SPAGNESI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Una passione per due. Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 420, August 2008, pp. 96-97.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MASOERO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Vedere a Milano. Un caff\u00e8 con Freud<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, July-August 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, July-August 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni \u201cNulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl manifesto\u201d, 29 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. MINERVINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni trash di ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;La stampa&#8221;, 28 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LANDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte del fuoco e della terra sulla scia del pop<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRavenna e dintorni\u201d, n. 310, 24 July 2008, p. 9.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ceramica in mostra al Castello Sforzesco<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Lombardia oggi&#8221;, 20 July 2008, p. 38.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere della Sera. Vivi Milano\u201d, 16 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. VANZETTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica superstar con ironia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere della sera\u201d, 13 July 2008, p. 19.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Surreale postmoderno<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 12 July 2008, p. 13.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. GATTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Classica o pop, \u00e8 sempre ceramica. Dai maestri del Rinascimento alla strana coppia Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 5 July, Roma, 2008, p. 19.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Viaggio tra ceramiche al Castello Sforzesco<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cE Polis Milano\u201d, 5 July, Milano, 2008, p. 35.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. FINOTTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Mirabilia della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale\u201d, 5 July, Milano, 2008, p. 51.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Faenza: Keramikmuseum feiert 100-Jahr-Jubil\u00e4um<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTessiner Zeitung\u201d, 4 July, Locarno (Svizzera), 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Faenza a Milano con un secolo d\u2019arte in ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giorno\u201d, 4 July, Milano, 2008, p. 36.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Tesori faentini: ceramica protagonista<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 3 July, Milano, 2008, p. 55.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MASOERO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni stupefacenti mistificatori e bugiardi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVedere a Milano. Il Giornale dell\u2019Arte\u201d, n. 3, July August e September 2008, p. 4<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Al Castello Sforzesco due mostre dedicate all\u2019arte della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAvvenire\u201d, 5 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. GATTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Classica o pop, \u00e8 sempre ceramica. Dai maestri del Rinascimento alla strana coppia Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 5 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Le opere di Faenza e le contemporanee di Bertozzi e Casoni. Viaggio tra ceramiche al castello Sforzesco<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cE Polis Milano\u201d, 5 July 2008.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. FINOTTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Da Faenza a Milano. Mirabilia della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale\u201d, 5 July 2008, p. 51.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Faenza: Keramikmuseum feiert 100-Jahr-Jubil\u00e4um<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTessiner Zeitung\u201d, 4 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ceramiche al Castello. Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d ed. Milano\u201d, 4 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Al Castello Sforzesco. Faenza a Milano con un secolo d\u2019arte in ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giorno\u201d, 4 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica. Tutto Milano. La citt\u00e0 in tasca\u201d, 3 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. I lavori del duo artistico segnano nuovi percorsi nella produzione ceramica contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere della Sera. Vivi Milano\u201d, 2 July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse. Una bella mostra a Milano<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cMarketpress\u201d, July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtkey magazine\u201d, July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte.go\u201d, July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Nulla \u00e8 come appare. Forse<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, July 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BOVINA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il Gran Teatro ceramico BAU + MIAAO<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica moderna &amp; antica. Speciale\u201d, a. XXIX, June-July 2008, n. 6-7, pp. 29-33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. CASAVECCHIA, C. GATTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Arte, la Bella estate inizia sotto i fulmini di Sgarbi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 17 June 2008.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. LUPPI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Terre terrificanti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVernissage\u201d, a. IX, n. 94, June 2008, pp. 10-11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BOVINA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Pose lascive<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAfter Ville\u201d, speciale per il XXIII Convegno mondiale degli architetti, UIA, a. 1, n. 3, June 2008, p. 14.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. PASQUALETTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il Teatro ceramico<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, June 2008, n. 418, pp. 118-123.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. PINI, Bertozzi&amp;Casoni. Ironie di ceramica, in \u201cCorriere della Sera Magazine\u201d, 28 February 2008, pp. 126-127.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u201cIl Giornale dell\u2019arte contemporanea\u201d, allegato de \u201cIl Giornale dell\u2019Arte\u201d, n. 273, copertina, February, 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. DAOLIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cPaggeria Arte. Percorsi nel contemporaneo\u201d, Sassuolo, 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ossobello<\/span><\/i><span style=\"font-weight: 400;\">\u00a0in \u201cAbout\u201d, Torino, February 2008.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2007<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LOMBARDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Com\u2019\u00e8 viva la natura morta<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, n. 270, November 2007, p. 54.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BOVINA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi&amp;Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XXVIII, n. 10, October 2007, p. 2, pp. 8-9.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. BREVI, E. GRAVAGNUOLO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Riservato e personale, artisti dietro le quinte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, October 2007, p. 84.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il rigore e la passione: ecco il segreto del duo artistico Bertozzi e Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl nuovo diario messaggero\u201d, October 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. ANTOLINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi&amp;Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cEspoarte. Contemporary Art Magazine\u201d, a. VIII, n. 48, August-September 2007, pp. 70-73.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. ORZES,\u00a0<\/span><i><span style=\"font-weight: 400;\">Virtuosistici \u201crifiuti\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAvanti\u201d, 22 August, Roma, 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. DALPOZZO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ultrarazionale: Dino Gavina e il design italiano degli anni \u201850-\u201860<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica moderna &amp; antica\u201d, n. 261, a. XXVIII, June-July 2007, n. 6-7, pp. 3-4.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. SORRENTINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Venezia 2007: summer, the long season of art<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVenice Magazine\u201d, June-July 2007, pp. 20-24.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LARI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Pensa con i sensi. Senti con la mente. L\u2019arte al presente<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArt e Dossier\u201d, 8 June 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. PANZERI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Arcipelago Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVernissage\u201d, allegato de \u201cIl Giornale dell\u2019Arte\u201d, a. VIII, n. 83, June 2007, pp. 8-11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">10-13-16: vado e terno<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, a. XXV, n. 266, June 2007, p. 1.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. CASADIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Alias<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVogue\u201d, n. 682, June 2007, pp. 188-193.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. CAPELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Intorno alla Biennale. Venezia. Le mostre collaterali<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 406, June 2007, pp. 86-90.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Guida alla Biennale<\/span><\/i><span style=\"font-weight: 400;\">, allegato de \u201cIl Giornale dell&#8217;Arte\u201d, a. XXV, n. 266, June 2007.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. POLVERONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi Casoni. Ca\u2019 Pesaro<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Uomo Vogue\u201d, n. 381, May-June 2007, pp. 332-333.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BRIGANTE,\u00a0<\/span><i><span style=\"font-weight: 400;\">ConiglioViola. L\u2019arte di silurare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 405, May 2007, p. 40.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">The grand tour, twentiefirst century style<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCulture &amp; Travel\u201d, April-May, 2007, p. 90.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtshow.it. Guida a mostre e musei\u201d, March 2007, copertina, p. 11, p. 14.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2006<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Io non cerco, covo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale delle Mostre\u201d, allegato de \u201cIl Giornale dell\u2019Arte\u201d, December 2006, p. 1.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Indisciplinata. Biennale di Ceramica nell&#8217;Arte Contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare. Interiors Design Architecture Arts\u201d, June 2006, pp. 2-9.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. GRAVAGNUOLO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. La poesia dell\u2019impossibile<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 393, May 2006, copertina e pp. 148-153.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">L&#8217;anti-enciclopedia di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica moderna e antica\u201d, n. 252, a. XXVII, April-May 2006, n. 4-5, pp. 3-12.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">J. P. COLIN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi&amp;Casoni Hermosa Decadencia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte al Limite\u201d, n. 18, March-April 2006, pp. 40-46.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2005<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">N. D. ANGERAME,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi&amp;Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExibart.onpaper\u201d, n. 26, November-December 2005, p. 48.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BIFFI GENTILI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Lifestyle, deathstyle<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cModo\u201d, nn. 243-244, April-May 2005, pp. 45-49.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Sperone Westwater<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArt Forum International\u201d, XLIII, n. 8, April 2005, p. 19.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Sperone Westwater<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArt in America\u201d, n. 4, April 2005.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni&#8217;s ceramic sculptures at Sperone Westwater<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe New Yorker\u201d, 13 April 2005.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. TORRESIN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Una nuova arte in diecimila voci. Non solo classici, la Zanichelli apre alla contemporaneit\u00e0<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 15 February 2005, p. IX.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BOLELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">In 40.000 ad ammirare una sfilata di capolavori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino, 1 February 2005, p. 4.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Albino al bar<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna e antica\u201d, n. 242, a. XXVI, January-February 2005, n. 1-2, p. 2.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2004<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. LUCIE-SMITH,\u00a0<\/span><i><span style=\"font-weight: 400;\">From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramic Review\u201d, n. 209, September-October 2004, pp. 32-35.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A secret history of clay: from Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Art Newspaper: The Year in Review\u201d, September 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. GASCOIGNE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Return to earth<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtists &amp; Illustrators\u201d, September 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. TAROZZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Un quarto di secolo a creare sensazioni con la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, Imola, a. 119, n. 270, gioved\u00ec 30 September 2004, p. V.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. DEWALD,\u00a0<\/span><i><span style=\"font-weight: 400;\">Picasso liebte sie, Matisse auch, und Jeff Koons verehrt sie noch heute<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cMannheimer Morgen\u201d, 2 August 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. D\u00cdEZ,\u00a0<\/span><i><span style=\"font-weight: 400;\">Una historia secreta del barro. De Gauguin a Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExit Express\u201d, July-September 2004.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Secret History of Clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtists &amp; Illustrators\u201d, July 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. GREGORY,\u00a0<\/span><i><span style=\"font-weight: 400;\">New clay display helps to keep the pot boiling<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSentinel Sunday\u201d, 25 July 2004.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. HARROD,\u00a0<\/span><i><span style=\"font-weight: 400;\">Serious play\u2019s feat of clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Times Literary Supplement\u201d, 23 July 2004, p. 1.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. DOCK,\u00a0<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay: From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe World of Interiors\u201d, July 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Monday openings as Tate crowds grow<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDaily Post\u201d, 12 July 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. CHAPMAN,\u00a0<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Independent Information\u201d, 3 July 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. LEGRAND,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019argile dans tous ses \u00e9tats<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLe Guide. Beaux Arts Magazine\u201d, July 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. FALCONER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Breaking the Mould<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cV &amp; A Magazine\u201d, Summer 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. CRICHTON-MILLER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Feats of clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRA Magazine\u201d, Summer 2004, p. 20.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. GROOM,\u00a0<\/span><i><span style=\"font-weight: 400;\">A secret history of clay &#8211;\u00a0from Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cKeramik Magazine\u201d, June-July 2004, pp. 40-43.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Daysout<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLancashire Evening Telegraph\u201d, 26 June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. COOPER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Recognition of versatile and enigmatic<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTribune\u201d, 25 June, 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. CHIAPETTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Two Exhibitions examine the creative process in mud and precious metal<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCountry Life\u201d, 10 June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">The magic of clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBBC Homes &amp; Antiques\u201d, June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Fields of clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cChoice\u201d, June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. CRICHTON-MILLER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Clay makes a comeback. The overlooked material of art history triumphs at Tate Liverpool<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cProspect\u201d, June 2004, p. 80.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">\u201cWe\u2019re a grown-up channel now\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Indipendent Review\u201d, 8 June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Gone to pot<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Guardian Review\u201d, 5 June 2004, pp. 16-17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. LUCIE-SMITH,\u00a0<\/span><i><span style=\"font-weight: 400;\">Opera in ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCrafts\u201d, n. 188, May-June, 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. HARROD,\u00a0<\/span><i><span style=\"font-weight: 400;\">Hidden depths<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCrafts\u201d, May-June 2004, pp. 28-33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramic Review\u201d n. 207, May-June 2004, p. 17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay. From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFine Art\u201d, May-June 2004, p. 10.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Guardian Guide\u201d, 29 May-4 June 2004; 5-11 June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay. From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Telegraph\u201d, 5 June 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay. From Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Sunday Telegraph\u201d, 30 May 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A Secret History of Clay<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Times\u201d, 29 May 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. KEY,\u00a0<\/span><i><span style=\"font-weight: 400;\">Expect the unexpected. Gallery\u2019s secret History of Clay can\u2019t fail to surprise<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDaily Post. Arts\u201d, 28 May 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Art on a plate<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Lady\u201d, 25-31 May 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">A secret history of clay: from Gauguin to Gormley<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Independent Information\u201d, 22-28 May 2004.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Tate discovers clay\u2019s secrets<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCrosby Herald\u201d, 13 May 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Famous sculpture on display at Tate<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSouthport Visiter\u201d, 7 May 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. SIGOLO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XXXVII, n. 245, April-May 2004, p. 150.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. KEY,\u00a0<\/span><i><span style=\"font-weight: 400;\">Five alive to the arts<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDaily Post. Arts\u201d, 16 April 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G.A.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Contemporary decorative arts get sexy<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Art Newspaper\u201d, April 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. DOGHERIA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExhibart\u201d, a. III, February-March 2004, p. 33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. HOGGARD,\u00a0<\/span><i><span style=\"font-weight: 400;\">Lok, no kaftans\u2026<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Observer Review\u201d, 8 February 2004, pp. 5-8.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cQui Touring\u201d, February 2004, p. 124.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. GIANTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Savona e dintorni: II Biennale di Ceramica nell&#8217;arte contemporanea<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Ceramica moderna e antica\u201d, n. 234, a. XXV, January-February 2004, nn.1-2.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTema celeste contemporary art\u201d, n. 101, January-February 2004, p. 18.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExtrart\u201d, a. IV, n. 13, January 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. DEGASPERI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni a Trento. Quando il contemporaneo scherza col fuoco<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCS Trentino Cultura &amp; Societ\u00e0\u201d, 10 January 2004, p. 53.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Fiera Arte 2004<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Venerd\u00ec di Repubblica\u201d, p. 97.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2003<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cJuliet\u201d, n. 115, December 2003-January 2004.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. TOMASINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni, ceramica non convenzionale. In mostra allo studio Raffaelli di Trento i sorprendenti lavori dei due artisti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Adige\u201d, 24 December 2003, p. 18.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. ROSSI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il bestiario di Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere del Trentino\u201d, 16 December 2003, p. 9.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExtrart\u201d, a. III, n. 12, November 2003.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SANDERS,\u00a0<\/span><i><span style=\"font-weight: 400;\">Another look at ceramics<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAnother magazine\u201d, 5th issue, autumn-winter, London, 2003, p. 108.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. DAOLIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Dalla musica all&#8217;arte \u00e8 il tempo delle \u201ccover\u201d. Opere reinterpretate da rivedere<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 29 June 2003, p. IX.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. GAZZOLA,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte nell\u2019epoca dei \u201cremake\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLibert\u00e0\u201d, mercoled\u00ec 4 June 2003, p. 27.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. COUPLAND,\u00a0<\/span><i><span style=\"font-weight: 400;\">Meglio diffidare degli originali: la vita \u00e8 una cover<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Venerd\u00ec di Repubblica\u201d, n. 790, 9 May 2003, pp. 114-117.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. PICCOLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Copiando si impara<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cD. La Repubblica delle Donne\u201d 3 May 2003, p. 68.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. DOGHERIA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExibart on paper\u201d, n. 12, February-March 2004, p. 33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">I magnifici 100 della critica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XXXVI, n. 238, February-March 2003, p. 81.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. TORRESIN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il weekend di Arte Fiera con Pupi Avati e Augias<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 25 January 2003, pp. X-XI.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. MOLITERNI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bombe e torte di ceramica. Scolaresche di cioccolato<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa\u201d, 23 January 2003, p. 31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2002<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. MANARA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Dal Monte Casoni snc ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 23 November 2002, p. 33.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. GANDINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La ceramica ad Albissola non pu\u00f2 che essere arte,<\/span><\/i><span style=\"font-weight: 400;\">\u00a0in \u201cIl Sole 24 ore\u201d, 27 October 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. MOLTENI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Al Priam\u00e0r l\u2019opera d\u2019arte diventa global<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX\u201d, 22 October 2002, p. 16.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. MOLTENI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ai quattro continenti della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX\u201d, 21 October 2002, p. 16.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S.P.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Convegno sulla ceramica al Priamar. Tra i relatori artisti e critici di livello internazionale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa\u201d, 19 October 2002, p. 45.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. PASINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L&#8217;obiettivo di un imolese coglie i segreti del t\u00e8<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRomagna Corriere\u201d, 18 October 2002, p. 6.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. GRANERO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica, ritorno al futuro<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX\u201d, 15 October 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. GODANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Biennale, superiamo gli steccati<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSavona\u201d, 3 September 2002, p. 19.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. ACQUAVIVA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramiche per la citt\u00e0 di Stefano Bertozzi &amp; Paolo Dalmonte-Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTile Fashion\u201d, supplemento a \u201cCE Ceramica per l\u2019edilizia\u201d, a. XXXII, n. 202, September 2002, pp. 24-27.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. LEONI, V. SANSONE (a cura di),\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Giovane scultura italiana<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XXXV, n. 235, August-September 2002, p. 83.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. LEONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Oltre l\u2019et\u00e0 del dubbio. La scultura onnivora<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XXXV, n. 235, August-September 2002, p. 79.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. DUMONT,\u00a0<\/span><i><span style=\"font-weight: 400;\">Que voir en attendant la v\u00e9ritable rentr\u00e9e<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTribune de Gen\u00e8ve\u201d, 30 Ao\u00fbt 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. GRANERO,\u00a0<\/span><i><span style=\"font-weight: 400;\">La Biennale di ceramica \u00e8 pi\u00f9 forte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX. Riviera estate\u201d, 28 August 2002, p. 23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. MOLTENI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Albisola, arte e polemiche<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX. Riviera estate\u201d, 20 August 2002, p. 22.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. JAUNIN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Trompe-l\u2019oeil et faux fossiles<\/span><\/i><span style=\"font-weight: 400;\">, in \u201c24 heures\u201d, 6 Ao\u00fbt 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Albisola le retour: ou quand l\u2019argile se pense globalis\u00e9e<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Libert\u00e9\u201d, 3 Ao\u00fbt 2002.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Ceramiques d\u2019artistes<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Hebdo\u201d, 25 Juillet 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. CHAUVY,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019association genevoise \u201cattese\u201d tente avec succ\u00e8s de reproduire le ph\u00e9nom\u00e8ne cr\u00e8atif, qui a vu na\u00eetre \u00e0 Albissola les cr\u00e9ations c\u00e9ramiques les plus \u00e9chevel\u00e9es. R\u00e8sulant: une biennale prometteuse<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLe Temps\u201d, 16 Juillet 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. GRANDJEAN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Noces de porcelaine au Mus\u00e9e de l\u2019Ariana<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTribune de Gen\u00e8ve\u201d, 27 Juin 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. CHAUVY,\u00a0<\/span><i><span style=\"font-weight: 400;\">Albissola a un pass\u00e9 dans la c\u00e9ramique<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLe Temps\u201d, 27 Juin 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La face souriante de la mondialisation<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLe Courrier\u201d, 26 Juin 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. DUMONT,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gen\u00e8ve prend l\u2019ombre et ranges a vaisselle<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTribune de Gen\u00e8ve\u201d, 22 Juin 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A.C. SCHUMACHER,\u00a0<\/span><i><span style=\"font-weight: 400;\">C\u00e9ramiques d\u2019artistes II. Premi\u00e8re Biennale de c\u00e9ramique dans l\u2019art contemporain &#8211;\u00a0Albissola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cJournal des Mus\u00e9es d\u2019art et d\u2019histoire\u201d, n. 2, Mai-Septembre 2002, Gen\u00e8ve, p. 11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Uovo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cExibart\u201d, 9 April 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Torino ha fatto l\u2019uovo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDinamo. Torino in diretta\u201d, 3 April 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CARVER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Albisola International<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramic Review\u201d, n. 196, March-April 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Col sale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTeknemedia\u201d, 28 March 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">O. GAMBARI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Cinquanta idee d\u2019artista per raccontare &#8220;L\u2019Uovo&#8221;<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 28 March 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. Ve,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ecco &#8220;Uovo&#8221;<\/span><\/i><span style=\"font-weight: 400;\">, la rivistina snob, in \u201cLa Stampa\u201d, 28 March 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. MURRITI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Art for Two<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cElle\u201d, March 2002, p. 235.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. GRANT,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramics Biennial in Italy<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramics Monthly\u201d, March 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. AUSLANDER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Cardi &amp; CO<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArt Forum\u201d, a. XL, n. 7, March 2002, p. 146.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. BEATRICE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni. Cardi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XXXV, n. 232, February-March 2002, p. 117.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. COMISSO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Le grandi mostre dilagano. Le Biennali<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, February 2002.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A.R.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Artefiera. Mercato alla prova dell\u2019euro<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Nazione\u201d, 24 January 2002, p. 35.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SENALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi &amp; Casoni: per niente fragili<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cImpackt\u201d, a. I, n. 2, 2002, pp. 66-76.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2001<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. DALPOZZO,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019opificio di Bertozzi e Dal Monte Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XXII, n. 11, December 2001, pp. 2-4.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. WILSON,\u00a0<\/span><i><span style=\"font-weight: 400;\">Faenza<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramics Technical\u201d, n. 13, November 2001, pp. 70-73.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Mostra d\u2019arte sponsorizza la tradizione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTurismo oggi\u201d, a. 2, n. 129, 6 September 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. CURTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il volto felice della globalizzazione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFlash Art\u201d, a. XXXIV, n. 229, August-September 2001 e n. 230, October-November 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. ECHAURREN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramisti di tutto il mondo, unitevi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCarta\u201d, a. III, n. 8, 30 August-5 September 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Una rassegna dedicata al meglio della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cla Repubblica\u201d, 27 August 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. GANDINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La ceramica, una globalizzazione felice<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Il Sole 24 ore&#8221;, 19 August 2001, p. 26.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. BOMPANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Pu\u00f2 la globalizzazione avere un volto felice?<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Lavoro. Supplemento di La Repubblica per Genova e la Liguria\u201d, 10 August 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. BERINGHELI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La ceramica ha un cuore antico ma non conosce nostalgiche mediazioni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX\u201d, 4 August 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. TAGLIAFERRO,\u00a0<\/span><i><span style=\"font-weight: 400;\">E\u2019 dell\u2019arte il volto felice della globalizzazione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAvvenire\u201d, 1 August 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. MOZZONE, C. SUGLIANO,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019artista globale provoca, ma senza buon gusto<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX\u201d, 1 August 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CARVER,\u00a0<\/span><i><span style=\"font-weight: 400;\">The happy face of globalisation. Biennal of ceramics in contemporary art<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cObject\u201d, August 2001. \u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. LAVAGNA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il volto felice della globalizzazione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cMenab\u00f2\u201d, August 2001, pp. 46-47.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Biennale di Ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArt in culture\u201d, August 2001, pp. 104-109.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. CURTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Globalizzate e felici le terracotte di Albissola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa\u201d, 28 July 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. PASQUINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte protagonista nelle Albissole<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Liguria estate\u201d, 24 July 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. DI GENOVA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Pop come popolare. Il G8 dell\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAlias\u201d, supplemento de \u201cIl Manifesto\u201d, 21 July 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Biennale, cancelli aperti sull\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Liguria estate\u201d, 21 July 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. PASQUINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ecco la Biennale di ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Liguria estate\u201d, 20 July 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Riecco la piccola Atene. Albissole, \u201cBiennale\u201d con artisti da tutto il mondo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Secolo XIX\u201d, 17 July 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. PASQUINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica e globalizzazione. Arte ad Albissola con il summit dei G8<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Liguria estate\u201d, 7 July 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. NICITA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica fra tradizione e globalizzazione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cKult\u201d, July 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. PERLO, A<\/span><i><span style=\"font-weight: 400;\">lbisola. Debutta la biennale della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, July 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. DALPOZZO,\u00a0<\/span><i><span style=\"font-weight: 400;\">\u00abLa Scuola Faentina\u00bb<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XXII, nn. 6-7, June-July 2001, pp. 2-5.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Venticinque artisti dal mondo per la \u201cBiennale di ceramica\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Liguria estate\u201d, 24 June 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. PASQUINO, B<\/span><i><span style=\"font-weight: 400;\">iennale di Ceramica attesa ad Albissola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Liguria estate\u201d, 12 June 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">I musei delle Albissole ospitano la Biennale della Ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa. Savona e Provincia\u201d, 2 June 2001.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. FRANCESCHINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Novecento e design a Milano<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAntiquariato\u201d, n. 237, January 2001.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>2000<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. GANDINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il &#8220;Povero&#8221; Gian Enzo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Sole 24 ore\u201d, n. 271, 8 October 2000, p. 38.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. P. BENEDETTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">La capitale della ceramica non dimentica Picasso<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Stampa\u201d, 13 July 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Lo sprone di Sperone<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVernissage\u201d, n. 4, April 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. DAOLIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte nella ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtigianato. Tra arte e design\u201d, n. 36, January-March 2000, pp. 26-29.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BOATTO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Rifare i rifiuti. L\u2019ultima sfida della \u201ctrash art\u201d. Una mostra di Bertozzi &amp; Casoni, scultori sulla scia di Rauschenberg e Pynchon<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Unit\u00e0\u201d, 25 January 2000.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1999<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. MOROZZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Quando l\u2019arte rinasce dai sassi<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Amica&#8221;, n. 49, 1 December 1999, pp. 93-98.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. PERLO,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019opificio Bertozzi &amp; Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;Arte&#8221;, n. 316, December 1999, pp. 160-163.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BURINO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Castello celebra sei artisti imolesi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 27 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. MONTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Formula 6 alla ex Fienile<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl nuovo diario messaggero\u201d, 27 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Mostra &#8220;Formula 6&#8221; alla sala ex-Fienile<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl nuovo diario messaggero\u201d, 6 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">FRA. RO., Imola si mostra a Castello<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 6 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Artisti imolesi alla sala Fienile<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRomagna Corriere\u201d, 4 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Formula 6<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGenius\u201d, 6 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Formula 6<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 6 November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. BOVINA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Aspettando il terzo millennio&#8230;<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XX, n. 11, November 1999, pp. 5-6.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Appuntamenti. Formula 6<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Tribuna\u201d, a. 7, n. 30, November 1999.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Arte nei sassi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFamiglia Cristiana\u201d, a. LXIX, n. 38, 26 September 1999, p. 157.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il nostro progetto<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Idea\u201d, n. 27, 7 July 1999, pp. 30-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. FRANCESCHETTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Utopie in un interno. Design d\u2019artista<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArte\u201d, n. 308, April 1999, pp. 111-118.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. CASADIO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Favolistica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cVogue Italia\u201d, n. 583, March 1999, pp. 563-567.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. N. T.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Opificio<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArteletta\u201d, a. I, n. 0, February 1999, p. 11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1998<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Design del prodotto ceramico<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCA. Ceramica per l\u2019architettura\u201d, n. 33, November 1998, p. 23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. SCARZELLA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Fuori dagli schemi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasamica\u201d, n. 10, 16 August 1998, pp. 122-125.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. ALAMARO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Dove sta la terra?<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna e antica\u201d, n. 188, a. XIX, April-May 1998, pp. 7-9.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Novit\u00e0<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cD La Repubblica delle Donne\u201d, a. III, n. 95, 7 April 1998, p. 248.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1997<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. NALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La domenica dell\u2019arte. Che maratona tra i pittori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 16 November 1997.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. NALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il week-end dell\u2019arte. Sculture, shopping e brindisi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 13 November 1997.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. ALAMARO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Dove va la terra? Artistinceramica, artisti contemporanei a Vietri sul Mare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XVIII, n. 181, June-July 1997, pp. 7-10.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Porta in casa le margherite<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDonna Moderna\u201d, a. X, n. 22, 4 June 1997, pp. 192-193.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1996<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BICOCCHI, C. MOROZZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Come sar\u00e0 la casa del 1997<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Viva\u201d, a. XXIV, n. 9, September 1996, pp. 140-142.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. COEN,<\/span><i><span style=\"font-weight: 400;\">\u00a0Ai confini della terra<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTrevi Flash Art Museum Magazine\u201d, a. IV, n. 9, September 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Wohnen mit witz<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAmica\u201d, August 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Scelto da Elle. Palme mosse dal vento dell\u2019estate. Per ricreare in casa oasi verdi e lussureggianti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cElle\u201d, n. 6, June 1996, pp. 228-229.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Quel mazzolin di fiori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cI percorsi milanesi del design\u201d, April 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Copertina di \u201cArtigianato tra arte e design\u201d, n. 21, April-May 1996.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1995<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. SCISCI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Casoni ceramisti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArtigianato. Tra arte, funzione e design\u201d, n. 19, October-December 1995, pp. 52-55.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">T. DALPOZZO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Fatto ad arte. Ovvero nuove prospettive per l\u2019artigianato dalla Triennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XVI, n. 10, October 1995, pp. 1-3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. BONANTINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi-Casoni: gli artisti della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl nuovo messaggero\u201d, 3 June 1995, p. 13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1994<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Scelto da Elle<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cElle\u201d, n. 12, December 1994, pp. 382-385.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. G. (T. DAL POZZO),\u00a0<\/span><i><span style=\"font-weight: 400;\">Ditelo coi fiori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XV, n. 155, October 1994, pp. 1-3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. RAVAGLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Personalizzare l\u2019ambiente<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTile Fashion\u201d, n. 165, August-September 1994, pp. 8-13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. IUDICA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Tendenze<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAmica\u201d, n. 33, August, Milano, 1994.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. ROSSI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ditelo coi fiori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cRealt\u00e0 Mapei\u201d, a. IV, n. 17, August 1994, \u00a0pp. 38-39.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">W. ROMANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019uomo che rilega. L\u2019esperienza di un dilettante bibliofilo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cInformazioni commenti inchieste sui beni culturali IBC\u201d, \u00a0a. 2, n. 4, July-August 1994, pp. 78-80.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Dilmos. Giampaolo Bertozzi e Stefano Dal Monte Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGap casa\u201d, n. 108, June 1994, p. 85.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1993<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Cooperativa Ceramica d\u2019Imola. La matrice umanistica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGap casa\u201d, n. 103, December 1993, p. 74.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. F.,\u00a0<\/span><i><span style=\"font-weight: 400;\">La ceramica \u201criscoperta\u201d come forma artistica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 17 October 1993.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Abitare il Tempo \u201993<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cNews, Settimanale dell\u2019E.A. Fiere di Verona\u201d, a. XXI, n. 28, September 1993.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. BOTTI MONTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Spesso gli artisti si inoltrano nel campo dell\u2019abitare e creano elementi di arredo d\u2019eccezione prodotti come multipli d\u2019autore<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Vogue\u201d, n. 251, May 1993, pp. 140-145.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. ZANELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bianco su bianco<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Vogue\u201d, n. 248, February 1993, pp. 88-93.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1992<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. VITTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Oltre il design<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Neoeclettismo. Abitare il Tempo\u201d, n. 7, December 1992, pp. 54-61.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Cattolica e Milano<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDomus. Monthly Review of Architecture Interiors Design Art\u201d, September 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Tra l\u2019ombrellone e la luna<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Messaggero\u201d, 26 August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Abitare il Tempo \u201992<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cNews, Settimanale dell\u2019E.A. Fiere di Verona\u201d, a. XX, n. 22, 17 August 1992, p. 12.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">D. BIGNARDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ricordi di sabbia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cPanorama\u201d, 16 August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. GARCEA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Curiosit\u00e0 o tintarella firmata<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAnna\u201d, 5 August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Cattolica. Le Navi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Gazzetta di Rimini\u201d, 4 August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Souvenir<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna\u201d, July-August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il design del ricordo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Vogue\u201d, July-August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Souvenir Balneari<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGap Casa\u201d, July-August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il design per il ricordo delle vacanze<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019architettura cronache e storia\u201d, July-August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il Complesso dell\u2019ex colonia \u201cLe navi di Cattolica\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in &#8220;GdA. Il Giornale dell\u2019Arredamento&#8221;, July-August 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. TONELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Tintarella d\u2019artista. La riviera ispira graffitisti, designer e scultori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 23 July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MISCHI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ma tu ce l\u2019hai il Lampofono?<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Espresso\u201d, 12 July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LUMINATI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il museo che non c\u2019\u00e8: ecco una guida per \u201cscoprirlo\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 8 July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. TONELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il mare \u00e8 bello con la fantasia. Souvenir, rimedio anti-pioggia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 7 July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. CHIARA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Souvenir, regalo da non regalare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Valle\u201d, July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. M. FASANOTTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gli spiaggiati<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cPanorama\u201d, 19 July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Mostre<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cForme\u201d, July 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. PIZZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">\u201cLe Navi\u201d sotto la tutela di cattolica cambieranno pelle<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Gazzetta di Rimini\u201d, 26 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Architettura e design<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Sole 24 ore\u201d, 21 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Dai maestri svizzeri alla balena di Gassman<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTV Sorrisi e Canzoni\u201d, 17 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">E con \u201cSouvenir\u201d il turismo diventa cultura<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Unit\u00e0\u201d, 16 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">\u201cSouvenir\u201d alle Navi di Cattolica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Messaggero\u201d, 15 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Un \u201cSouvenir\u201d alle Navi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Ponte\u201d, 14 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LUMINATI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Souvenir d\u2019arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 14 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MATARRESE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Souvenir d\u2019autore. Oggetti al sapore di mare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019Espresso\u201d, 14 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. DORFLES,\u00a0<\/span><i><span style=\"font-weight: 400;\">Souvenir. Il kitsch buono e quello cattivo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 14 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. FERRINI, R. PAZZAGLIA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Mare contro mare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Venerd\u00ec di Repubblica\u201d, 12 June 1992, p. 50.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Souvenir balneari<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCarlino Rimini\u201d, 6 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. TONELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Un mare di souvenir<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 9 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. CICCHETTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Nuovi souvenir per una memoria balneare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Messaggero\u201d, 9 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">I creativi vanno a \u201cLe Navi\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Gazzetta di Rimini\u201d, 7 June 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Recenti aspetti decorativi della ceramica di design e di artigianato<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna &amp; antica\u201d, a. XIII, n. 6, June 1992, pp. 1-3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LUMINATI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il nuovo souvenir: la finestra col canto del mare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 6 May 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. JANNACE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Via Stagione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cK. Keramikos International Ceramics Magazine\u201d, May 1992, n. 24, pp. 52-60.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">H. HEKKEMA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Een Stoel voor grove Groningers<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cNieuwsblad van het Noorden\u201d, 24 April 1992.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. PORRO,<\/span><i><span style=\"font-weight: 400;\">\u00a0Il mobile di Cant\u00f9<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, a. III, n. 7, March 1992, pp. 36-47.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">1968 Natura e artificio 1992. Conversazione con Gillo Dorfles<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cOttagono\u201d, a. XXVII, n. 102, March 1992, pp. 6-13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1991<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. MOSCA,\u00a0<\/span><i><span style=\"font-weight: 400;\">La poesia supera il design<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere della sera\u201d, 15 September 1991.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. CATALANO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Natura &amp; Cultura. Espressionista, surreale, onirico: \u00e8 il nuovo design<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cMarie Claire\u201d, a. VIII, n. 9, September 1991, pp. 45-49.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. R.,\u00a0<\/span><i><span style=\"font-weight: 400;\">Design della mente<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Vogue\u201d, n. 232, July-August 1991, p. 90.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. G\u00d6RLING,\u00a0<\/span><i><span style=\"font-weight: 400;\">Keramik aus dem Netzwerk der Bits<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cNeue Keramik\u201d, n. 9, May-June, 1991, pp. 595-597.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. FAGONE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica al computer<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cK. Keramikos\u201d, n. 19, April 1991, pp. 70-74.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ad arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, a. I, n. 4, March 1991, pp. 42-48.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1990<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">ENO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Voglio continuare ad abitarci anche dopo sposato<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cInformazione edilizia\u201d, Tokyo, n. 48, 19 December 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. VITA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Design d\u2019artista<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, a.I, n. 3, December 1990, pp. 14-16.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Design balneare<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, a. I, n. 3, December 1990, pp. 62-73.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. PALLINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Sapore di Mediterraneo. Un percorso urbano creato a Tokyo in forma di paesaggio artificiale in ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, a. I, n. 3, December 1990, pp. 46-51.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">City<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cDansen\u201d, Tokyo, n. 321, December 1990, p. 161.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">S. ASAI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Conscio di cielo azzurro a Tama<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAsahi\u201d, Tokyo, n. 12, 1 December 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Il mondo di Gaud\u00ec<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSankei\u201d, Tokyo, 12 October 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. BERTOZZI, S. DAL MONTE CASONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gli oggetti affettivi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019ape. Magazine della Cooperativa Ceramica d\u2019Imola\u201d, n. 0, October 1990, pp. 16-17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">H. TOKOI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Vivere Nagaike. Scale di un\u2019altra dimensione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cTrendy\u201d, Tokyo, n. 36, October 1990, p. 87.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Flora domestica. Arte e design<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Vogue\u201d, n. 223, October 1990, pp. 236-238.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. BERTOZZI, S. DAL MONTE CASONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Tama New Town. Le opere della Cooperativa Ceramica d\u2019Imola per Via Stagione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019ape. Magazine della Cooperativa Ceramica d\u2019Imola\u201d, October, n. 0, 1990, pp. 9-10.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Y. SHIRAI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Una via fuori dalla norma<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGinza Pocket Park News\u201d, Tokyo, n. 27, autunno 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Y. TAMURA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il nuovo quartiere \u00e8 italiano<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cYomiuri\u201d, Tokyo, 19 September 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Messaggio dall\u2019Italia<\/span><\/i><span style=\"font-weight: 400;\">, in \u00abTama New Town\u00bb, \u201cKanagawa\u201d, Tokyo, 1 September 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">U. LA PIETRA,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019arte della tavola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, Milano, a. I, n. 2, September 1990, pp. 14-43.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Via stagione, in \u201cInax Report\u201d, Tokyo, n. 89, 15 August 1990, pp. 14-15.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Y. FUKINUKE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Via Stagione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cNikkei Architecture\u201d, Tokyo, n. 375, July 1990, pp. 164-171.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Spazio di un\u2019altra dimensione nell\u2019epoca del caos<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cNippon Keizai\u201d, Tokyo, 19 June 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La piazza davanti alla stazione!<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAsahi\u201d, Tokyo, 26 May 1990.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. MASSERONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bertozzi e Casoni: apprendisti stregoni. Forme surreali, intrecci vegetali, personaggi di sogno per \u201cl\u2019arte della ceramica\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAbitare con arte\u201d, a. I, n. 1, May 1990, pp. 72-73.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1989<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G.C. BOJANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Oggetti di illusione e di meraviglia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cK. International Ceramics Magazine\u201d, a. II, n. 7, December 1988, pp. 84-91.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Come simbolo di un\u2019ape industriosa: la Cooperativa Ceramica d\u2019Imola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArea\u201d, a. IX, n. 49, November-December 1989, pp. 66-69.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. BARLETTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Abitare il tempo a Milano. Oggetti anticosali, derealizzanti, antigestaltici, libidici&#8230;<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArea\u201d, a. IX, n. 49, November-December 1989, pp. 30-35.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">N. G\u00dcNTER,\u00a0<\/span><i><span style=\"font-weight: 400;\">Kunst oder Unsinn. NebenbemerKungen zu einem Titetbild<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cKunst + Handwerk\u201d, n. 3, May-June 1989, pp. 150-156.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Chi sono<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cOrientamenti\u201d, n. 0, May 1989.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">E. ROVERSELLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Abitare con arte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArea\u201d, a. VIII, n. 44, January-February 1989, pp. 26-31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. D. M., S<\/span><i><span style=\"font-weight: 400;\">tefano dal Monte Casoni e Giampaolo Bertozzi: una coppia che vale. Ceramisti, anzi scultori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cL\u2019attualit\u00e0\u201d, 14 January 1989, p. 31.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Maestri ceramisti al Laboratorio<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cQuaderni del Laboratorio Giocare con l\u2019arte\u201d, MIC Faenza, n. 6, 1989, p. 69.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1988<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Linguaggi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cGran Bazar Italia. Finzione e Utopia\u201d, n. 65, December 1988-January 1989, p. 70.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G.C. BOJANI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Oggetti di illusione e meraviglia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cK International Ceramics Magazine\u201d, December 1988, n. 7, pp. 84-91.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Saranno famosi. Biennale giovani 1988<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cElle\u201d, a. II, n. 12, December 1988, p. 10.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Abitare con arte, in \u00abInterni\u00bb, n. 386, December 1988, p. 68.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Abitare con arte di La Pietra &amp; C.<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa mia casa\u201d, n. 213, December 1988, p. 29.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. TASSINARI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bologna<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cContemporanea. International Art Magazine\u201d, n. 4, November-December 1988, pp. 22-23.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Primo piano. La Cooperativa Ceramica d\u2019Imola: una nuova realt\u00e0 imprenditoriale proiettata verso il futuro<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cArea\u201d, a. 8, n. 43, November-December 1988, pp. 64-69.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. TORRESIN,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gran Bazar Mediterraneo<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 23 November 1988, p. 9.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CECCONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica in concorso<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Voce\u201d, n. 35, 18 September 1988, p. 18.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CECCONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica mostra permanente<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Nazione\u201d, 17 September 1988, p. 3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CECCONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Concorso Internazionale della Ceramica. Sono in mostra le opere pi\u00f9 belle<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Nazione\u201d, 23 August 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Concorso internazionale. Ceramisti faentini premiati anche a Gualdo Tadino<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 14 August 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">I giovani della Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 11 August 1988, p. 3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. ANDERLINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Una pubblicazione redatta da \u00abpenne\u00bb celebri. Presentato il catalogo delle opere esposte alla mostra della ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere dell\u2019Umbria\u201d, 10 August 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. ANDERLINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Al via la \u201cMostra internazionale della ceramica\u201d: 231 gli espositori<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere dell\u2019Umbria\u201d, 9 August 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. CAVALCAZZA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Materia e forma alla XXVIII edizione del Premio Gualdo Tadino<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cEco d\u2019arte moderna\u201d, n. 69, July-September 1988, p. 7.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. COLETTI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gualdo in festa per la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u00abLa Nazione\u00bb, 14 July 1988, p. 8.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. CECCONI,<\/span><i><span style=\"font-weight: 400;\">\u00a0Duecento artisti per la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Nazione\u201d, 8 June 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. ANDERLINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Gualdo Tadino. Il Concorso della ceramica parte con le carte giuste<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCorriere dell\u2019Umbria\u201d, 3 June 1988.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1987<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Bee\u2019sday. The First International Convention of Tile Industry Culture &amp; Art<\/span><\/i><span style=\"font-weight: 400;\">, Cooperativa Ceramica di Imola, New York, 17 March 1987.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1986<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. MORI,\u00a0<\/span><i><span style=\"font-weight: 400;\">2.070 Works from 43 Countries for the Ceramics Competition. A World 1st<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Tono Shimpoh\u201d, Mino, 31 october 1986. A Special Commemorative Issue for the Ist International Ceramics Festival \u201986 Mino.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">V. DALL\u2019ARA,\u00a0<\/span><i><span style=\"font-weight: 400;\">La nostra ceramica a Tokyo. Tre imolesi espongono in Giappone<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cSabato sera\u201d, 18 October 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. MOROZZI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il passo del gambero<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cModo\u201d, n. 93, October 1986, pp. 34-37.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u201cK Keramos International Ceramics Magazine\u201d, October 1986, copertina.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. VERONESI (a cura di),\u00a0<\/span><i><span style=\"font-weight: 400;\">Abitare il tempo<\/span><\/i><span style=\"font-weight: 400;\">, supplemento speciale allegato a \u201cArea\u201d, n. 30, September-October 1986, pp. 1-17.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. PIROTTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Arte, artigianato, architettura, design. 4 ambiti chiamati a esprimersi e ricercare attraverso la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cModaviva\u201d, n. 7, September 1986, pp. 202-205.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. PIROTTA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il design contemporaneo rivisita il mondo classico<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cModaviva\u201d, n. 6, July-August 1986, pp. 202-207.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Y. INUI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Forte creativit\u00e0<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAsahi\u201d, Kanagawa, 11 June 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Centro Internazionale di Studi e Sperimentazione sulla Ceramica. Cooperativa Ceramica Imola<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cEupalino. Cultura della citt\u00e0 e della casa\u201d, n. 8, May 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. COPPOLA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Tensioni sul tema<\/span><\/i><span style=\"font-weight: 400;\">, in \u00abInvece\u00bb, n. 0, January 1986, pp. 12-13.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cThe Seibu\u201d, Tokyo, 1986.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. DETHERIDGE,\u00a0<\/span><i><span style=\"font-weight: 400;\">E l\u2019argilla si fa arte&#8230;<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cAD\u201d, n. 60, 1986, pp. 102-106.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1985<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. RINALDI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Progetti e cadeaux<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCasa Vogue\u201d, n. 69, December 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Cravatte in ceramica a Roma<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna\u201d, a. VI, n. 59, November 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">I. ANTRO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Un nodo tira l\u2019Alter<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale\u201d, 27 September 1985, p. 75.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">O. COSULICH,\u00a0<\/span><i><span style=\"font-weight: 400;\">Una collezione di cravatte ma rigorosamente a fumetti<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 11 September 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. ROCCA,\u00a0<\/span><i><span style=\"font-weight: 400;\">Cravatte in mostra. Dieci racconti \u201cal collo\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Messaggero\u201d, 11 September 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">New look per le cravatte<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Manifesto\u201d, a. XV, n. 206, 10 September 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. MARTINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Le manifestazioni internazionali della ceramica d\u2019arte 1985 a Faenza. Appunti sul concorso<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cFaenza\u201d, a. LXXI, nn. 4-6, 1985, pp. 340-343.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">G. PIRAZZINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">L\u2019Ape \u00e8 tornata al lavoro. La Cooperativa Ceramica e il Centro internazionale di studi<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 2 August 1985.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1984<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Alle radici della maiolica faentina<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 12 April, Bologna, 1984.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1983<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cModo. Design Magazine\u201d, a.7, n. 65, December 1983, pag. 76.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Un\u2019estate di ceramica e d\u2019amore a Cattolica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Repubblica\u201d, 21 May 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI, L. MARTINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La ceramica informale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBolognaincontri\u201d, a. XIV, n. 5, May 1983, pp. 34-36.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">I giovani maestri della nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Vernice\u201d, a. XXII, n. 218, March-April 1983, pp. 24-25.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La capitale \u00e8 a Faenza. Parliamo naturalmente di Nuova ceramica e di Biennale<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 29 March 1983.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Caltagirone: V rassegna internazionale della ceramica. Convegno studi sul tema La tradizione ceramica e la produzione di serie<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna\u201d, a. IV, n. 32, March 1983, pp. 7-8.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P. COTTIGNOLI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramica per l\u2019edilizia International\u201d, a. XVII, n. 103-104, January-February 1983, pp. 55-56.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1982<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La nuova ceramica (e le porcellane)<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cBolognaincontri\u201d, a. XIII, n. 12, December 1982, pp. 51-53.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,<\/span><i><span style=\"font-weight: 400;\">\u00a0Il fatto a mano<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 9 November 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">R. GIOVANNINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La foggiatura per immersione<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna\u201d, a. III, n. 29, November 1982, p. 2, p. 19.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BASILE,\u00a0<\/span><i><span style=\"font-weight: 400;\">I ceramisti dell\u2019area faentina<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 22 October 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">B. SIMBOLI MONTUSCHI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Divagazioni su una bella mostra. \u00abFaenza \u201882. Il primato dell\u2019artista\u00bb<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna\u201d, a. III, n. 27, September 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BASILE,<\/span><i><span style=\"font-weight: 400;\">\u00a0Il primato dell\u2019artist<\/span><\/i><span style=\"font-weight: 400;\">a, in \u201cIl Resto del Carlino\u201d, 22 June 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. BASILE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Come si inventa con la ceramica<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 4 June 1982.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Faenza. Il primato dell\u2019artista<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cQuestarte\u201d, n. 38, May-August 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Bologna. Galleria d\u2019arte moderna<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cD\u2019Ars\u201d, a. XXXIII, n. 98, April 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M. PASQUALI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Giampaolo Bertozzi, Stefano Dal Monte Casoni<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa Vernice\u201d, a. XXI, n. 212, April 1982.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">13a Biennale Internazionale del Bronzetto Piccola Scultura 1981<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cLa ceramica moderna\u201d, a. III, n. 22, March1982, pp. 11-12.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1981<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">L. LAMBERTINI,\u00a0<\/span><i><span style=\"font-weight: 400;\">La Biennale del Bronzetto. Provocazione estro e ironia<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Giornale dell\u2019Arte\u201d, 4 December 1981, p. 4.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">I bronzetti della \u00abprovocazione\u00bb<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 29 November 1981, p. 3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. SPADONI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Il recupero della scultura<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 29 November1981, pag. 3.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">F. SOLMI,\u00a0<\/span><i><span style=\"font-weight: 400;\">Rivolta in bottega. Da una rivoluzione esplosa dal basso \u00e8 nata la \u201cNuova Ceramica\u201d<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Resto del Carlino\u201d, 20 November 1981.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1980<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Faenza International Exhibition<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramics Monthly\u201d, vol. 28, n. 10, December 1980, pp. 36-39.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">C. SAVE,\u00a0<\/span><i><span style=\"font-weight: 400;\">Faenza: la culture \u00abpi\u00e9g\u00e9e\u00bb<\/span><\/i><span style=\"font-weight: 400;\">, in \u00abL\u2019atelier des m\u00e9tiers d\u2019art\u00bb, n. 51, septembre 1980, pp. 5-7.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">A. AVANZO,\u00a0<\/span><i><span style=\"font-weight: 400;\">Ceramica&#8230; arte&#8230; vita<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cIl Romagna\u201d, n. 13, 30 July 1980, p. 11.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>1978<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Tesi 1977-1978. Istituto statale per la ceramica \u201cG. Ballardini\u201d. Faenza<\/span><\/i><span style=\"font-weight: 400;\">, in \u201cCeramica italiana per l\u2019edilizia\u201d, n. 53, December 1978, pp. 58-65.<\/span>[\/tm_accordion_tab_item][\/tm_accordion_holder][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row columns_on_tablet=&#8221;keep&#8221; padding_top=&#8221;10&#8243; padding_bottom=&#8221;40&#8243;][vc_column h_text_align=&#8221;left&#8221; h_text_align_mobile=&#8221;left-on-mobile&#8221; v_align=&#8221;v-align-middle&#8221; use_background=&#8221;&#8221; width=&#8221;1\/1&#8243;][tm_accordion_holder accordion_style=&#8221;line&#8221; accordion_size=&#8221;xlarge&#8221; use_icon=&#8221;&#8221; header_text_color_active=&#8221;#ff4556&#8243; accordion_id=&#8221;5dd81dbf-2874-9&#8243;][tm_accordion_tab_item textarea_html_bkg_color=&#8221;#ffffff&#8221; title=&#8221;MOST SIGNIFICANT CRITICAL REVIEWS&#8221; accordion_id=&#8221;1508105974-62&#8243;]Museo Bertozzi &amp; Casoni, Museum Bertozzi &amp; Casoni catalogue, texts by F. STEFANI and F. BERTONI, Fiorano Modenese, 2017. M.A. BAZZOCCHI, L. CORRAIN (edited by),\u00a0Storie naturali. Bertozzi &amp; Casoni al Museo di Palazzo Poggi, exhibition catalogue, &#8230; <\/p>\n","protected":false},"author":1,"featured_media":849,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-291","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/pages\/291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/comments?post=291"}],"version-history":[{"count":64,"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/pages\/291\/revisions"}],"predecessor-version":[{"id":1653,"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/pages\/291\/revisions\/1653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/media\/849"}],"wp:attachment":[{"href":"https:\/\/www.bertozziecasoni.it\/en\/wp-json\/wp\/v2\/media?parent=291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}